Intellectual property rights in the Ecuadorian music industry: Digital media

Inside the panorama of the music industry have been generated by several legal relationships. Generally, the artist is only concerned with expressing his ideas through songs, based on deep feelings or experiences that have marked him, but he does not realize that he is in a very complicated legal re...

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Bibliographic Details
Main Author: Juan Aguirre Navarrete
Format: Article
Language:Spanish
Published: Pontificia Universidad Católica del Ecuador 2020-08-01
Series:Revista Facultad de Jurisprudencia
Subjects:
Online Access:http://www.revistarfjpuce.edu.ec/index.php/rfj/article/view/296
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spelling doaj-c3e2f2cbfb5c4510bffb8ee6868e8a362021-06-19T15:49:03ZspaPontificia Universidad Católica del EcuadorRevista Facultad de Jurisprudencia2588-08372588-08372020-08-01Vol. II. Special Intellectual PropertyNo. 8: Journal Faculty of the Jurisprudence249267https://doi.org/10.26807/rfj.v2i8.296Intellectual property rights in the Ecuadorian music industry: Digital mediaJuan Aguirre Navarrete0https://orcid.org/0000-0001-7857-3632Investigador jurí­dico independiente Inside the panorama of the music industry have been generated by several legal relationships. Generally, the artist is only concerned with expressing his ideas through songs, based on deep feelings or experiences that have marked him, but he does not realize that he is in a very complicated legal relationship when privatizing his creations. Many artists throughout their careers legal issues related to the use of copyrights in their discography; a very recent case is that of the famous artist Taylor Swift where the problem lies in the snatching of their copyright author. This miscellaneous article focuses on identifying the regulations with which the Ecuadorian government protects intellectual property rights in the Ecuadorian music industry in the current digital era. As a final result, we state that Ecuadorian legislation has an optimal regulation that encourages the operation of the intellectual property regime in Ecuador. However, artists do not choose to enter this industry due to the low performance it has in our country.http://www.revistarfjpuce.edu.ec/index.php/rfj/article/view/296digitizationrecording industrymusiccopyrightintellectual property
collection DOAJ
language Spanish
format Article
sources DOAJ
author Juan Aguirre Navarrete
spellingShingle Juan Aguirre Navarrete
Intellectual property rights in the Ecuadorian music industry: Digital media
Revista Facultad de Jurisprudencia
digitization
recording industry
music
copyright
intellectual property
author_facet Juan Aguirre Navarrete
author_sort Juan Aguirre Navarrete
title Intellectual property rights in the Ecuadorian music industry: Digital media
title_short Intellectual property rights in the Ecuadorian music industry: Digital media
title_full Intellectual property rights in the Ecuadorian music industry: Digital media
title_fullStr Intellectual property rights in the Ecuadorian music industry: Digital media
title_full_unstemmed Intellectual property rights in the Ecuadorian music industry: Digital media
title_sort intellectual property rights in the ecuadorian music industry: digital media
publisher Pontificia Universidad Católica del Ecuador
series Revista Facultad de Jurisprudencia
issn 2588-0837
2588-0837
publishDate 2020-08-01
description Inside the panorama of the music industry have been generated by several legal relationships. Generally, the artist is only concerned with expressing his ideas through songs, based on deep feelings or experiences that have marked him, but he does not realize that he is in a very complicated legal relationship when privatizing his creations. Many artists throughout their careers legal issues related to the use of copyrights in their discography; a very recent case is that of the famous artist Taylor Swift where the problem lies in the snatching of their copyright author. This miscellaneous article focuses on identifying the regulations with which the Ecuadorian government protects intellectual property rights in the Ecuadorian music industry in the current digital era. As a final result, we state that Ecuadorian legislation has an optimal regulation that encourages the operation of the intellectual property regime in Ecuador. However, artists do not choose to enter this industry due to the low performance it has in our country.
topic digitization
recording industry
music
copyright
intellectual property
url http://www.revistarfjpuce.edu.ec/index.php/rfj/article/view/296
work_keys_str_mv AT juanaguirrenavarrete intellectualpropertyrightsintheecuadorianmusicindustrydigitalmedia
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