MUSICAL INTERPRETATION OF THE POETIC SOURCE IN THE RAP POEM FROM THE VOCAL-SYMPHONIC CYCLE FOR BARITONE AND ORCHESTRA APRÈS UNE LECTURE BY GHENADIE CIOBANU

• Main Author: CIOBANU-SUHOMLIN IRINA
• Format: Article
• Language: deu
• Published: Notograf Prim 2017-06-01
• Series: Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
• Online Access: http://revista.amtap.md/wp-content/files_mf/15101448577.iciobanu_%D0%9C%D0%A3%D0%97%D0%AB%D0%9A%D0%90%D0%9B%D0%AC%D0%9D%D0%90%D0%AF_%D0%A2%D0%A0%D0%90%D0%9A%D0%A2%D0%9E%D0%92%D0%9A%D0%90_%D0%9F%D0%9E%D0%AD%D0%A2%D0%98%D0%A7%D0%95%D0%A1%D0%9A%D0%9E%D0%93%D0%9E_%D0%98%D0%A1%D0%A2%D0%9E%D0%A7%D0%9D%D0%98%D0%9A%D0%90.PDF

The author considers the peculiarities of the interpretation of the poetic text in the music of one of the poems of the vocal and symphonic cycle for baritone and orchestra „Après une Lecture” by Ghenadie Ciobanu. The purpose of the article is to reveal the specific features of the musical and poetic synthesis achieved by the composer in the „Rap Poem”: in the description of the genre basis of the poetic and musical works, their figurative content, the correlation of their syntax, the specific musical intonation of the poetic text, the role of the orchestra. The composer’s method of working with a word is evaluated from the novelty standpoint, and the final artistic result is determined from the position of its stylistic affiliation as a musical exemple of the „third direction” in the music of the 20th century.