Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo Zeyun

Recording personal and family history has been a secondary purpose of the <i>zhiguai</i> (tales of the strange) genre from its inception. As there is no proven female author of a surviving collection before the 20th century, these family histories were shaped by male collectors recording...

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Main Author: Rania Huntington
Format: Article
Language:English
Published: MDPI AG 2019-09-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/10/10/547
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spelling doaj-c3c528e64cf54c84b8e49fb89920c4bb2020-11-24T21:59:50ZengMDPI AGReligions2077-14442019-09-01101054710.3390/rel10100547rel10100547Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo ZeyunRania Huntington0Department of Asian Languages and Cultures, University of Wisconsin, Madison; Madison, WI 53706, USARecording personal and family history has been a secondary purpose of the <i>zhiguai</i> (tales of the strange) genre from its inception. As there is no proven female author of a surviving collection before the 20th century, these family histories were shaped by male collectors recording tales told by both female and male informants. Yet in the Republican period, when the practice of recording strange incidents from memory or hearsay had become a marginal practice, L&#252; Meisun 呂美蓀 (1881&#8722;1945) published two collections. L&#252;&#8217;s work stands at a fascinating intersection of gender, genre, and cultural change. She presents a family history centered on the female side of her family and her personal spiritual autobiography against the larger backdrop of cultural transformation from the late Qing through the Republican period. In this paper, I consider a male author of <i>zhiguai</i> during the same years, Guo Zeyun 郭則澐 (1882&#8722;1946), for comparison. With their differing conceptions of family, both writers strive to convert familial memory and strange experience into meaning relevant for a wider audience in the present moment.https://www.mdpi.com/2077-1444/10/10/547familygenderkarmamemorynarrative
collection DOAJ
language English
format Article
sources DOAJ
author Rania Huntington
spellingShingle Rania Huntington
Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo Zeyun
Religions
family
gender
karma
memory
narrative
author_facet Rania Huntington
author_sort Rania Huntington
title Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo Zeyun
title_short Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo Zeyun
title_full Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo Zeyun
title_fullStr Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo Zeyun
title_full_unstemmed Family History in an Old Genre: The Strange Tales of Lü Meisun and Guo Zeyun
title_sort family history in an old genre: the strange tales of lü meisun and guo zeyun
publisher MDPI AG
series Religions
issn 2077-1444
publishDate 2019-09-01
description Recording personal and family history has been a secondary purpose of the <i>zhiguai</i> (tales of the strange) genre from its inception. As there is no proven female author of a surviving collection before the 20th century, these family histories were shaped by male collectors recording tales told by both female and male informants. Yet in the Republican period, when the practice of recording strange incidents from memory or hearsay had become a marginal practice, L&#252; Meisun 呂美蓀 (1881&#8722;1945) published two collections. L&#252;&#8217;s work stands at a fascinating intersection of gender, genre, and cultural change. She presents a family history centered on the female side of her family and her personal spiritual autobiography against the larger backdrop of cultural transformation from the late Qing through the Republican period. In this paper, I consider a male author of <i>zhiguai</i> during the same years, Guo Zeyun 郭則澐 (1882&#8722;1946), for comparison. With their differing conceptions of family, both writers strive to convert familial memory and strange experience into meaning relevant for a wider audience in the present moment.
topic family
gender
karma
memory
narrative
url https://www.mdpi.com/2077-1444/10/10/547
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