The afterlife of sculptures: posthumous casts and the case of Medardo Rosso (1858–1928)
A significant number of sculptures once attributed to Medardo Rosso have recently been reassigned to his son, Francesco. These objects represent a curious hybrid: Francesco, who was not an artist and was unaware of his father’s idiosyncratic processes, had these works cast by a professional foundry...
Main Author: | Sharon Hecker |
---|---|
Format: | Article |
Language: | English |
Published: |
Department of Art History, University of Birmingham
2017-06-01
|
Series: | Journal of Art Historiography |
Subjects: | |
Online Access: | https://arthistoriography.files.wordpress.com/2017/06/hecker.pdf |
Similar Items
-
La obra de Medardo Rosso como punto de encuentro entre una estética clásica y otra contemporánea
by: Guillermo Aguirre Martínez
Published: (2015-01-01) -
Photographing Sculpture: Aesthetic and Semiotic Issues
by: Francesca Polacci
Published: (2018-11-01) -
The Cinematic Unconscious and the Gaze in Dario Argento’s Profondo rosso
by: Mariarita Martino Grisà
Published: (2013-11-01) -
versus Rosso: Colour Terms Denoting Red in Russian and Italian
by: Adrian Chirila
Published: (2016-11-01) -
KÖSRELİK (ANKARA) CİVARINDA AMMONİTİKO ROSSO FASİYESİ'NİN GEÇ SİNEMURİYEN - ERKEN PLİYENSBAHİYEN BİVALVİA, GASTROPODA FAUNASI VE TÜRKİYE'DE İLK KEZ SAPTANAN ANNELID POLYCHAETE TÜRÜNÜN VARLIĞI, PALEOCOĞRAFİK VE PALEOEKOLOJİK ÖZELLİKLERİ
by: Yavuz OKAN, et al.
Published: (2007-12-01)