The afterlife of sculptures: posthumous casts and the case of Medardo Rosso (1858–1928)
A significant number of sculptures once attributed to Medardo Rosso have recently been reassigned to his son, Francesco. These objects represent a curious hybrid: Francesco, who was not an artist and was unaware of his father’s idiosyncratic processes, had these works cast by a professional foundry...
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Format: | Article |
Language: | English |
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Department of Art History, University of Birmingham
2017-06-01
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Series: | Journal of Art Historiography |
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Online Access: | https://arthistoriography.files.wordpress.com/2017/06/hecker.pdf |