“It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry
The focus is on Atwood’s most recent poetry collections; Morning in the Burned House (1995) and The Door (2007), in addition to the prose poems volume The Tent (2006). They have in common, albeit with a different emphasis, a preoccupation with mortality and with the writing of poetry itself. They al...
Main Author: | Eleonora Rao |
---|---|
Format: | Article |
Language: | English |
Published: |
MDPI AG
2017-08-01
|
Series: | Humanities |
Subjects: | |
Online Access: | https://www.mdpi.com/2076-0787/6/3/63 |
Similar Items
-
Margaret Atwood’s Poetry in Slovene Translation
by: Tjaša Mohar, et al.
Published: (2021-06-01) -
Poetry of the Space In Between
by: Wolfgang Müller-Funk
Published: (2020-02-01) -
Sympathizing with Social Justice: Poetry of Invitation and Generation
by: Sean Wiebe, et al.
Published: (2018-03-01) -
Writing, Aging and Death in Margaret Atwood’s The Door
by: Pilar Sánchez Calle
Published: (2018-12-01) -
The Uncanny History and Unrepresentability of Subject formation in Margaret Atwood's The Handmaid's Tale
by: رویا الهی, et al.
Published: (2018-03-01)