“It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry

The focus is on Atwood’s most recent poetry collections; Morning in the Burned House (1995) and The Door (2007), in addition to the prose poems volume The Tent (2006). They have in common, albeit with a different emphasis, a preoccupation with mortality and with the writing of poetry itself. They al...

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Main Author: Eleonora Rao
Format: Article
Language:English
Published: MDPI AG 2017-08-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/6/3/63
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spelling doaj-c389968638b448919d6c999402a124c52020-11-24T21:45:45ZengMDPI AGHumanities2076-07872017-08-01636310.3390/h6030063h6030063“It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s PoetryEleonora Rao0Department of Humanities, University of Salerno, Fisciano, 84084 ItalyThe focus is on Atwood’s most recent poetry collections; Morning in the Burned House (1995) and The Door (2007), in addition to the prose poems volume The Tent (2006). They have in common, albeit with a different emphasis, a preoccupation with mortality and with the writing of poetry itself. They also share a special concern for space. This reading considers space and landscape to function as metonyms. Space here is far from being passive; instead it is constantly in the process of being constructed. The disorientation that the poetic personae experience in these texts follows a labyrinthine pattern where heterogeneity and multiplicity in the sense of contemporaneous plurality prevail. In this perspective, the identity of a place becomes open and provisional, including that of a place called home.https://www.mdpi.com/2076-0787/6/3/63contemporary poetryspace and placeliminality
collection DOAJ
language English
format Article
sources DOAJ
author Eleonora Rao
spellingShingle Eleonora Rao
“It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry
Humanities
contemporary poetry
space and place
liminality
author_facet Eleonora Rao
author_sort Eleonora Rao
title “It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry
title_short “It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry
title_full “It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry
title_fullStr “It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry
title_full_unstemmed “It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry
title_sort “it always takes a long time/to decipher where you are”: uncanny spaces and troubled times in margaret atwood’s poetry
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2017-08-01
description The focus is on Atwood’s most recent poetry collections; Morning in the Burned House (1995) and The Door (2007), in addition to the prose poems volume The Tent (2006). They have in common, albeit with a different emphasis, a preoccupation with mortality and with the writing of poetry itself. They also share a special concern for space. This reading considers space and landscape to function as metonyms. Space here is far from being passive; instead it is constantly in the process of being constructed. The disorientation that the poetic personae experience in these texts follows a labyrinthine pattern where heterogeneity and multiplicity in the sense of contemporaneous plurality prevail. In this perspective, the identity of a place becomes open and provisional, including that of a place called home.
topic contemporary poetry
space and place
liminality
url https://www.mdpi.com/2076-0787/6/3/63
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