Le roman-fugue – modèles et réalisations
One art can become the productive model of another. Two contemporary novels, referred to as “fugue-novels” by their authors, are at the source of this study. The history of music shows specificity of this art in relation to literature. The evolution of literary ideas, related to music and fugue, esp...
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| Language: | Spanish |
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Asociación de Francesistas de la Universidad Española (AFUE)
2018-12-01
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| Series: | Çédille: Revista de Estudios Franceses |
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| Online Access: | http://cedille.webs.ull.es/M8/06stantcheva.pdf |
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Article |
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doaj-c21783e06ee643d6a013ecc383b4a9c82020-11-25T03:18:20ZspaAsociación de Francesistas de la Universidad Española (AFUE)Çédille: Revista de Estudios Franceses1699-49491699-49492018-12-01Monografía 8Special 889107Le roman-fugue – modèles et réalisationsRoumiana L. Stantchéva0Sofiyski universitet „Sv. Kliment Ohridski"One art can become the productive model of another. Two contemporary novels, referred to as “fugue-novels” by their authors, are at the source of this study. The history of music shows specificity of this art in relation to literature. The evolution of literary ideas, related to music and fugue, especially the reflections of some twentieth-century writers – forerunners of the literary research in the field of polyphony – allow us to grasp its progression in the novel. Polyphonic music is above all a device that allows some authors to give a narrative voice to each of their main characters. The fugue-novel takes up this idea by introducing, in the construction of the text, the cantus firmus and imitation principles of a musical/textual voice by another. This article focuses specifically on the fugue-novels of the Romanian author, Ana Blandiana, and the Bulgaria author, Emilia Dvorianova. http://cedille.webs.ull.es/M8/06stantcheva.pdfmusicEuopean literaturesAna BlandianaEmilia DvorianovaEastern European literatures |
| collection |
DOAJ |
| language |
Spanish |
| format |
Article |
| sources |
DOAJ |
| author |
Roumiana L. Stantchéva |
| spellingShingle |
Roumiana L. Stantchéva Le roman-fugue – modèles et réalisations Çédille: Revista de Estudios Franceses music Euopean literatures Ana Blandiana Emilia Dvorianova Eastern European literatures |
| author_facet |
Roumiana L. Stantchéva |
| author_sort |
Roumiana L. Stantchéva |
| title |
Le roman-fugue – modèles et réalisations |
| title_short |
Le roman-fugue – modèles et réalisations |
| title_full |
Le roman-fugue – modèles et réalisations |
| title_fullStr |
Le roman-fugue – modèles et réalisations |
| title_full_unstemmed |
Le roman-fugue – modèles et réalisations |
| title_sort |
le roman-fugue – modèles et réalisations |
| publisher |
Asociación de Francesistas de la Universidad Española (AFUE) |
| series |
Çédille: Revista de Estudios Franceses |
| issn |
1699-4949 1699-4949 |
| publishDate |
2018-12-01 |
| description |
One art can become the productive model of another. Two contemporary novels, referred to as “fugue-novels” by their authors, are at the source of this study. The history of music shows specificity of this art in relation to literature. The evolution of literary ideas, related to music and fugue, especially the reflections of some twentieth-century writers – forerunners of the literary research in the field of polyphony – allow us to grasp its progression in the novel. Polyphonic music is above all a device that allows some authors to give a narrative voice to each of their main characters. The fugue-novel takes up this idea by introducing, in the construction of the text, the cantus firmus and imitation principles of a musical/textual voice by another. This article focuses specifically on the fugue-novels of the Romanian author, Ana Blandiana, and the Bulgaria author, Emilia Dvorianova.
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| topic |
music Euopean literatures Ana Blandiana Emilia Dvorianova Eastern European literatures |
| url |
http://cedille.webs.ull.es/M8/06stantcheva.pdf |
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AT roumianalstantcheva leromanfuguemodelesetrealisations |
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