CITY VIEWS
The city as the architectural setting where life takes place has frequently been a subject for painters and draughtsmen. While it has also been addressed by other media – such as film, video and photography – which, with technology, have significantly increased their communicative possibilities, dra...
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Universitat Politècnica de València
2012-03-01
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Online Access: | https://polipapers.upv.es/index.php/EGA/article/view/1366 |
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doaj-c2121c1ecad64c378566a0a2ac4045e52020-11-25T03:28:48ZspaUniversitat Politècnica de ValènciaEGA 1133-61372254-61032012-03-01171914815710.4995/ega.2012.13661168CITY VIEWSMontserrat BigasLluís BravoGustavo ContepomiThe city as the architectural setting where life takes place has frequently been a subject for painters and draughtsmen. While it has also been addressed by other media – such as film, video and photography – which, with technology, have significantly increased their communicative possibilities, drawing and painting remain the ones best capable of supporting the artists’ requirements: It is chiefly with drawing and painting that artists are able to revive the moving and initiating experience of the discovering of a great city. Through analyzing the work of a few graphic artists we will understand how drawing and painting overcome the limitations of photography and film, while technical aid opens up a new range of options and enables higher results. In the study of the following cases we shall observe the artists aim is no other than to reduce the gap between art and life.https://polipapers.upv.es/index.php/EGA/article/view/1366cannalettomarieschiclive headdavid hockneyrichard estesperspectivadibujoveneciapinturaben johnsondibujos de ciudadpintura de arquitectura |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Montserrat Bigas Lluís Bravo Gustavo Contepomi |
spellingShingle |
Montserrat Bigas Lluís Bravo Gustavo Contepomi CITY VIEWS EGA cannaletto marieschi clive head david hockney richard estes perspectiva dibujo venecia pintura ben johnson dibujos de ciudad pintura de arquitectura |
author_facet |
Montserrat Bigas Lluís Bravo Gustavo Contepomi |
author_sort |
Montserrat Bigas |
title |
CITY VIEWS |
title_short |
CITY VIEWS |
title_full |
CITY VIEWS |
title_fullStr |
CITY VIEWS |
title_full_unstemmed |
CITY VIEWS |
title_sort |
city views |
publisher |
Universitat Politècnica de València |
series |
EGA |
issn |
1133-6137 2254-6103 |
publishDate |
2012-03-01 |
description |
The city as the architectural setting where life takes place has frequently been a subject for painters and draughtsmen. While it has also been addressed by other media – such as film, video and photography – which, with technology, have significantly increased their communicative possibilities, drawing and painting remain the ones best capable of supporting the artists’ requirements: It is chiefly with drawing and painting that artists are able to revive the moving and initiating experience of the discovering of a great city. Through analyzing the work of a few graphic artists we will understand how drawing and painting overcome the limitations of photography and film, while technical aid opens up a new range of options and enables higher results. In the study of the following cases we shall observe the artists aim is no other than to reduce the gap between art and life. |
topic |
cannaletto marieschi clive head david hockney richard estes perspectiva dibujo venecia pintura ben johnson dibujos de ciudad pintura de arquitectura |
url |
https://polipapers.upv.es/index.php/EGA/article/view/1366 |
work_keys_str_mv |
AT montserratbigas cityviews AT lluisbravo cityviews AT gustavocontepomi cityviews |
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1724582705033641984 |