The Motive Of Space (Bosnia, Kasaba) In Andrić’s Stories

The motive of space (Bosnia / borough), as the forms of his literary transposition in this work, we have identified and interpreted on concrete examples from the texts of Andrić’s narratives. The motive, as we have been convinced, is processed in several different and complex variants, among which t...

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Main Author: Ikbal Smajlović
Format: Article
Language:Bosnian
Published: University of Tuzla, Faculty of Humanities and Social Sciences 2018-11-01
Series:Društvene i Humanističke Studije
Subjects:
Online Access:http://www.dhs.ff.untz.ba/index.php/home/article/view/168/130
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spelling doaj-c1d991138ab84ecc8586d1e2c23ca4dc2020-11-25T02:37:27ZbosUniversity of Tuzla, Faculty of Humanities and Social SciencesDruštvene i Humanističke Studije 2490-36042490-36472018-11-0133(6)137162The Motive Of Space (Bosnia, Kasaba) In Andrić’s StoriesIkbal Smajlović0Faculty of Philosophy, University of Zenica, Bosnia and HerzegovinaThe motive of space (Bosnia / borough), as the forms of his literary transposition in this work, we have identified and interpreted on concrete examples from the texts of Andrić’s narratives. The motive, as we have been convinced, is processed in several different and complex variants, among which there are common characteristics. We can talk about two types of space - a real toponymic space, and a space of dream in which characters equally ‘live and act’. The real space we focused on, regardless of whether it is a mountain, a village, a borough, a town, and so on, is presented mainly as a place of boredom, overall unhappiness, loneliness, suffering and dark, stuffiness, backwardness, cruelty, back facing each form of progress. All the properties of space are directly reflected and metonymically represent the characters / physiognomy of people (both spiritual and physical). Andrić suggests deep, rooted, bound and conditioned space and domicile people. All those characteristics will be even clearer in direct contact with different worlds and cultures. Mainly, the processing of the motive of space with Andrić is aesthetically credible, but that, especially in the context of the poststructuralist openness of literary interpretations, does not prevent us from discussing the ideological pretexts, the injustices and causes of “the misfortune of this region”. http://www.dhs.ff.untz.ba/index.php/home/article/view/168/130spacebosniaandrićidentityislam
collection DOAJ
language Bosnian
format Article
sources DOAJ
author Ikbal Smajlović
spellingShingle Ikbal Smajlović
The Motive Of Space (Bosnia, Kasaba) In Andrić’s Stories
Društvene i Humanističke Studije
space
bosnia
andrić
identity
islam
author_facet Ikbal Smajlović
author_sort Ikbal Smajlović
title The Motive Of Space (Bosnia, Kasaba) In Andrić’s Stories
title_short The Motive Of Space (Bosnia, Kasaba) In Andrić’s Stories
title_full The Motive Of Space (Bosnia, Kasaba) In Andrić’s Stories
title_fullStr The Motive Of Space (Bosnia, Kasaba) In Andrić’s Stories
title_full_unstemmed The Motive Of Space (Bosnia, Kasaba) In Andrić’s Stories
title_sort motive of space (bosnia, kasaba) in andrić’s stories
publisher University of Tuzla, Faculty of Humanities and Social Sciences
series Društvene i Humanističke Studije
issn 2490-3604
2490-3647
publishDate 2018-11-01
description The motive of space (Bosnia / borough), as the forms of his literary transposition in this work, we have identified and interpreted on concrete examples from the texts of Andrić’s narratives. The motive, as we have been convinced, is processed in several different and complex variants, among which there are common characteristics. We can talk about two types of space - a real toponymic space, and a space of dream in which characters equally ‘live and act’. The real space we focused on, regardless of whether it is a mountain, a village, a borough, a town, and so on, is presented mainly as a place of boredom, overall unhappiness, loneliness, suffering and dark, stuffiness, backwardness, cruelty, back facing each form of progress. All the properties of space are directly reflected and metonymically represent the characters / physiognomy of people (both spiritual and physical). Andrić suggests deep, rooted, bound and conditioned space and domicile people. All those characteristics will be even clearer in direct contact with different worlds and cultures. Mainly, the processing of the motive of space with Andrić is aesthetically credible, but that, especially in the context of the poststructuralist openness of literary interpretations, does not prevent us from discussing the ideological pretexts, the injustices and causes of “the misfortune of this region”.
topic space
bosnia
andrić
identity
islam
url http://www.dhs.ff.untz.ba/index.php/home/article/view/168/130
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