Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators

This essay examines some theoretical and methodological aspects of Michael Baxandall’s book Giotto and the Orators. Humanist observers of painting in Italy and the discovery of pictorial composition of 1971. It includes reflections on the book’s reorientations of the scholarly debate over the relati...

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Main Author: Allan Langdale
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2009-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:http://arthistoriography.files.wordpress.com/2011/02/media_139142_en.pdf
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spelling doaj-c195799e1da54d1fb4fe8fde51b6d5cc2020-11-24T23:46:01ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522009-12-0111AL/2Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the OratorsAllan LangdaleThis essay examines some theoretical and methodological aspects of Michael Baxandall’s book Giotto and the Orators. Humanist observers of painting in Italy and the discovery of pictorial composition of 1971. It includes reflections on the book’s reorientations of the scholarly debate over the relationship between Renaissance/Early Modern humanism and painting, as well as consideration of the linguistic theories that either directly or tangentially inform Baxandall’s method. Sources such as Wittgenstein, Cassirer, Ordinary Language Philosophy, and the Sapir-Whorf Hypothesis are discussed. Some of the book’s aims and methods are clarified by a comparison to Panofsky’s Gothic Architecture and Scholasticism of 1951.http://arthistoriography.files.wordpress.com/2011/02/media_139142_en.pdfBaxandallrhetoricGiottoorators
collection DOAJ
language English
format Article
sources DOAJ
author Allan Langdale
spellingShingle Allan Langdale
Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators
Journal of Art Historiography
Baxandall
rhetoric
Giotto
orators
author_facet Allan Langdale
author_sort Allan Langdale
title Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators
title_short Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators
title_full Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators
title_fullStr Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators
title_full_unstemmed Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators
title_sort linguistic theories and intellectual history in michael baxandall’s giotto and the orators
publisher Department of Art History, University of Birmingham
series Journal of Art Historiography
issn 2042-4752
publishDate 2009-12-01
description This essay examines some theoretical and methodological aspects of Michael Baxandall’s book Giotto and the Orators. Humanist observers of painting in Italy and the discovery of pictorial composition of 1971. It includes reflections on the book’s reorientations of the scholarly debate over the relationship between Renaissance/Early Modern humanism and painting, as well as consideration of the linguistic theories that either directly or tangentially inform Baxandall’s method. Sources such as Wittgenstein, Cassirer, Ordinary Language Philosophy, and the Sapir-Whorf Hypothesis are discussed. Some of the book’s aims and methods are clarified by a comparison to Panofsky’s Gothic Architecture and Scholasticism of 1951.
topic Baxandall
rhetoric
Giotto
orators
url http://arthistoriography.files.wordpress.com/2011/02/media_139142_en.pdf
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