Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators
This essay examines some theoretical and methodological aspects of Michael Baxandall’s book Giotto and the Orators. Humanist observers of painting in Italy and the discovery of pictorial composition of 1971. It includes reflections on the book’s reorientations of the scholarly debate over the relati...
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Department of Art History, University of Birmingham
2009-12-01
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Online Access: | http://arthistoriography.files.wordpress.com/2011/02/media_139142_en.pdf |
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doaj-c195799e1da54d1fb4fe8fde51b6d5cc2020-11-24T23:46:01ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522009-12-0111AL/2Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the OratorsAllan LangdaleThis essay examines some theoretical and methodological aspects of Michael Baxandall’s book Giotto and the Orators. Humanist observers of painting in Italy and the discovery of pictorial composition of 1971. It includes reflections on the book’s reorientations of the scholarly debate over the relationship between Renaissance/Early Modern humanism and painting, as well as consideration of the linguistic theories that either directly or tangentially inform Baxandall’s method. Sources such as Wittgenstein, Cassirer, Ordinary Language Philosophy, and the Sapir-Whorf Hypothesis are discussed. Some of the book’s aims and methods are clarified by a comparison to Panofsky’s Gothic Architecture and Scholasticism of 1951.http://arthistoriography.files.wordpress.com/2011/02/media_139142_en.pdfBaxandallrhetoricGiottoorators |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Allan Langdale |
spellingShingle |
Allan Langdale Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators Journal of Art Historiography Baxandall rhetoric Giotto orators |
author_facet |
Allan Langdale |
author_sort |
Allan Langdale |
title |
Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators |
title_short |
Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators |
title_full |
Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators |
title_fullStr |
Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators |
title_full_unstemmed |
Linguistic Theories and Intellectual History in Michael Baxandall’s Giotto and the Orators |
title_sort |
linguistic theories and intellectual history in michael baxandall’s giotto and the orators |
publisher |
Department of Art History, University of Birmingham |
series |
Journal of Art Historiography |
issn |
2042-4752 |
publishDate |
2009-12-01 |
description |
This essay examines some theoretical and methodological aspects of Michael Baxandall’s book Giotto and the Orators. Humanist observers of painting in Italy and the discovery of pictorial composition of 1971. It includes reflections on the book’s reorientations of the scholarly debate over the relationship between Renaissance/Early Modern humanism and painting, as well as consideration of the linguistic theories that either directly or tangentially inform Baxandall’s method. Sources such as Wittgenstein, Cassirer, Ordinary Language Philosophy, and the Sapir-Whorf Hypothesis are discussed. Some of the book’s aims and methods are clarified by a comparison to Panofsky’s Gothic Architecture and Scholasticism of 1951. |
topic |
Baxandall rhetoric Giotto orators |
url |
http://arthistoriography.files.wordpress.com/2011/02/media_139142_en.pdf |
work_keys_str_mv |
AT allanlangdale linguistictheoriesandintellectualhistoryinmichaelbaxandallsgiottoandtheorators |
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1725495128203722752 |