Nikolay Grech’s Rhetorical Teaching as a Tool of Text Analysis

Russian rhetoric began with Mikhail Lomonosov’s Brief Guide to Eloquence (1765), which was written in the classical tradition of the Aristotelian-Ciceronian teaching about effective and persuasive speech. By the time philology had become a unified knowledge system in 1820s, Russian rhetoric stopped...

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Main Author: L. E. Makarova
Format: Article
Language:English
Published: Kemerovo State University 2021-01-01
Series:Вестник Кемеровского государственного университета
Subjects:
Online Access:https://vestnik.kemsu.ru/jour/article/view/4844
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spelling doaj-c0db6a5242864a1f93382fac24dd4cd22021-01-14T04:07:19ZengKemerovo State UniversityВестник Кемеровского государственного университета2078-89752078-89832021-01-012241098110610.21603/2078-8975-2020-22-4-1098-11064281Nikolay Grech’s Rhetorical Teaching as a Tool of Text AnalysisL. E. Makarova0Lomonosov Moscow State UniversityRussian rhetoric began with Mikhail Lomonosov’s Brief Guide to Eloquence (1765), which was written in the classical tradition of the Aristotelian-Ciceronian teaching about effective and persuasive speech. By the time philology had become a unified knowledge system in 1820s, Russian rhetoric stopped being a part of the trivium of verbal sciences, which also included grammar and logic, and evolved into a theory of language arts [slovesnost] that included both fiction and nonfiction literature. Its focus shifted from statement building to development and classification of the existing types and genres of literature. The science gave birth to a new discipline, namely the history and theory of literature, Nikolay Grech being one of its founders. Thus, the subject of rhetoric was mostly the principles of understanding of written fiction. Grech’s concept reflected those new trends in the development of rhetoric while focusing on the analysis of the system of Russian literature as a whole. The present research employed the methods of comparative analysis and analytical interpretation of the text. The article introduces N. Grech’s ideas about rhetorical and fictional prose, as well as his classification of prose and poetry. The author showed how the emergence of borderline, semi-rhetorical, and semi-poetic genres, changed the relationship between prose and poetry and, accordingly, between rhetoric and poetics. From a tool for creating an utterance, rhetoric gradually became a tool for analyzing a finished text.https://vestnik.kemsu.ru/jour/article/view/4844russian rhetorictheory of literature (slovesnost)types of literaturegenres of literaturenikolay grech’s theory of literature ('slovesnost')proseargumentative prose
collection DOAJ
language English
format Article
sources DOAJ
author L. E. Makarova
spellingShingle L. E. Makarova
Nikolay Grech’s Rhetorical Teaching as a Tool of Text Analysis
Вестник Кемеровского государственного университета
russian rhetoric
theory of literature (slovesnost)
types of literature
genres of literature
nikolay grech’s theory of literature ('slovesnost')
prose
argumentative prose
author_facet L. E. Makarova
author_sort L. E. Makarova
title Nikolay Grech’s Rhetorical Teaching as a Tool of Text Analysis
title_short Nikolay Grech’s Rhetorical Teaching as a Tool of Text Analysis
title_full Nikolay Grech’s Rhetorical Teaching as a Tool of Text Analysis
title_fullStr Nikolay Grech’s Rhetorical Teaching as a Tool of Text Analysis
title_full_unstemmed Nikolay Grech’s Rhetorical Teaching as a Tool of Text Analysis
title_sort nikolay grech’s rhetorical teaching as a tool of text analysis
publisher Kemerovo State University
series Вестник Кемеровского государственного университета
issn 2078-8975
2078-8983
publishDate 2021-01-01
description Russian rhetoric began with Mikhail Lomonosov’s Brief Guide to Eloquence (1765), which was written in the classical tradition of the Aristotelian-Ciceronian teaching about effective and persuasive speech. By the time philology had become a unified knowledge system in 1820s, Russian rhetoric stopped being a part of the trivium of verbal sciences, which also included grammar and logic, and evolved into a theory of language arts [slovesnost] that included both fiction and nonfiction literature. Its focus shifted from statement building to development and classification of the existing types and genres of literature. The science gave birth to a new discipline, namely the history and theory of literature, Nikolay Grech being one of its founders. Thus, the subject of rhetoric was mostly the principles of understanding of written fiction. Grech’s concept reflected those new trends in the development of rhetoric while focusing on the analysis of the system of Russian literature as a whole. The present research employed the methods of comparative analysis and analytical interpretation of the text. The article introduces N. Grech’s ideas about rhetorical and fictional prose, as well as his classification of prose and poetry. The author showed how the emergence of borderline, semi-rhetorical, and semi-poetic genres, changed the relationship between prose and poetry and, accordingly, between rhetoric and poetics. From a tool for creating an utterance, rhetoric gradually became a tool for analyzing a finished text.
topic russian rhetoric
theory of literature (slovesnost)
types of literature
genres of literature
nikolay grech’s theory of literature ('slovesnost')
prose
argumentative prose
url https://vestnik.kemsu.ru/jour/article/view/4844
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