O erotismo e o desejo na obra Salomé, de Oscar Wilde
Oscar Wilde brings out a new woman in his Salome version, theatrical piece with a central focus on the biblical character Salome, the author’s eyes shows performed by its desires and its eroticism, that intoxicates and brings the ultimate consequences : kiss the lips of the prophet Iokanaan at any p...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Ceará
2016-07-01
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| Series: | Entrepalavras: Revista de Linguística do Departamento de Letras Vernáculas da Universidade Federal do Ceará |
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| Online Access: | http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/562 |
| Summary: | Oscar Wilde brings out a new woman in his Salome version, theatrical piece with a central focus on the biblical character Salome, the author’s eyes shows performed by its desires and its eroticism, that intoxicates and brings the ultimate consequences : kiss the lips of the prophet Iokanaan at any price. For this, the young princess is the dance of the seven veils for King Herod and proves that you can have it all with her beauty and sensuality , even if it might be worth his life. This article aims to show how eroticism , desire, death and the body lead the direction of Wilde’s version , based on the works as Eroticism , George Bataille (1987 ) , The double flame, Octavio Paz (1994) , The dangerous body of Linda Hutcheon . Therefore, it can be seen that often , that desire can be matched is required great sacrifices , even if it takes death as a result and consummation. |
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| ISSN: | 0000-0000 2237-6321 |