I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance course

In this article, I started from the experience of somatic approaches to movement at the undergraduate dance course of the Universidade Federal de Santa Maria to propose a discussion about the pedagogical and artistic implications of this choice. I explain my point of view as a teacher and artist, a...

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Main Author: Heloisa Corrêa
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2014-12-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:http://www.seer.ufrgs.br/index.php/presenca/article/view/51749/32543
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spelling doaj-bff74c36d480419eb53e97f984b23aa82020-11-24T23:25:16ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602014-12-0151233258I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance courseHeloisa Corrêa0Gravina In this article, I started from the experience of somatic approaches to movement at the undergraduate dance course of the Universidade Federal de Santa Maria to propose a discussion about the pedagogical and artistic implications of this choice. I explain my point of view as a teacher and artist, as well as my understanding of the use of somatic approaches to dance, and explore the students’ experiences. Within the framework of performance as an analytical paradigm, articulated from the viewpoint of Somaesthetics, I point out some ways provided by such a choice in promoting emancipatory pedagogical practices and expanding the artistic possibilities of dancers.http://www.seer.ufrgs.br/index.php/presenca/article/view/51749/32543Dance.Somatic EducationPerformance.Pedagogical PracticesSomaesthetics.
collection DOAJ
language English
format Article
sources DOAJ
author Heloisa Corrêa
spellingShingle Heloisa Corrêa
I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance course
Revista Brasileira de Estudos da Presença
Dance.
Somatic Education
Performance.
Pedagogical Practices
Somaesthetics.
author_facet Heloisa Corrêa
author_sort Heloisa Corrêa
title I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance course
title_short I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance course
title_full I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance course
title_fullStr I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance course
title_full_unstemmed I have a Body, I am a Body: somatic approaches to movement at an undergraduate dance course
title_sort i have a body, i am a body: somatic approaches to movement at an undergraduate dance course
publisher Universidade Federal do Rio Grande do Sul
series Revista Brasileira de Estudos da Presença
issn 2237-2660
publishDate 2014-12-01
description In this article, I started from the experience of somatic approaches to movement at the undergraduate dance course of the Universidade Federal de Santa Maria to propose a discussion about the pedagogical and artistic implications of this choice. I explain my point of view as a teacher and artist, as well as my understanding of the use of somatic approaches to dance, and explore the students’ experiences. Within the framework of performance as an analytical paradigm, articulated from the viewpoint of Somaesthetics, I point out some ways provided by such a choice in promoting emancipatory pedagogical practices and expanding the artistic possibilities of dancers.
topic Dance.
Somatic Education
Performance.
Pedagogical Practices
Somaesthetics.
url http://www.seer.ufrgs.br/index.php/presenca/article/view/51749/32543
work_keys_str_mv AT heloisacorrea ihaveabodyiamabodysomaticapproachestomovementatanundergraduatedancecourse
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