La réalité en direct, l’actualité en spectacle (vivant)
This article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of t...
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Université Laval
2017-07-01
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Online Access: | http://journals.openedition.org/communication/7245 |
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doaj-bfc80aa443f240d298e10c9b7db371e62021-09-20T06:36:46ZfraUniversité LavalCommunication1189-37881920-73442017-07-0134210.4000/communication.7245La réalité en direct, l’actualité en spectacle (vivant)Zoé VerveropoulouThis article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of the media, this type of theatre takes on a journalistic role, with a view to redefining the stage’s relationships with the world and reconnect with the problems of the modern world. The author looks at the dynamics of journalism and the socio-political scope of the genre, its quest for authenticity and objectivity, as well as the efforts to estheticize reality, and the tensions that they create.http://journals.openedition.org/communication/7245neo-documentarydramaturgygenremediatizationFrance |
collection |
DOAJ |
language |
fra |
format |
Article |
sources |
DOAJ |
author |
Zoé Ververopoulou |
spellingShingle |
Zoé Ververopoulou La réalité en direct, l’actualité en spectacle (vivant) Communication neo-documentary dramaturgy genre mediatization France |
author_facet |
Zoé Ververopoulou |
author_sort |
Zoé Ververopoulou |
title |
La réalité en direct, l’actualité en spectacle (vivant) |
title_short |
La réalité en direct, l’actualité en spectacle (vivant) |
title_full |
La réalité en direct, l’actualité en spectacle (vivant) |
title_fullStr |
La réalité en direct, l’actualité en spectacle (vivant) |
title_full_unstemmed |
La réalité en direct, l’actualité en spectacle (vivant) |
title_sort |
la réalité en direct, l’actualité en spectacle (vivant) |
publisher |
Université Laval |
series |
Communication |
issn |
1189-3788 1920-7344 |
publishDate |
2017-07-01 |
description |
This article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of the media, this type of theatre takes on a journalistic role, with a view to redefining the stage’s relationships with the world and reconnect with the problems of the modern world. The author looks at the dynamics of journalism and the socio-political scope of the genre, its quest for authenticity and objectivity, as well as the efforts to estheticize reality, and the tensions that they create. |
topic |
neo-documentary dramaturgy genre mediatization France |
url |
http://journals.openedition.org/communication/7245 |
work_keys_str_mv |
AT zoeververopoulou larealiteendirectlactualiteenspectaclevivant |
_version_ |
1717374747617001472 |