La réalité en direct, l’actualité en spectacle (vivant)

This article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of t...

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Bibliographic Details
Main Author: Zoé Ververopoulou
Format: Article
Language:fra
Published: Université Laval 2017-07-01
Series:Communication
Subjects:
Online Access:http://journals.openedition.org/communication/7245
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spelling doaj-bfc80aa443f240d298e10c9b7db371e62021-09-20T06:36:46ZfraUniversité LavalCommunication1189-37881920-73442017-07-0134210.4000/communication.7245La réalité en direct, l’actualité en spectacle (vivant)Zoé VerveropoulouThis article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of the media, this type of theatre takes on a journalistic role, with a view to redefining the stage’s relationships with the world and reconnect with the problems of the modern world. The author looks at the dynamics of journalism and the socio-political scope of the genre, its quest for authenticity and objectivity, as well as the efforts to estheticize reality, and the tensions that they create.http://journals.openedition.org/communication/7245neo-documentarydramaturgygenremediatizationFrance
collection DOAJ
language fra
format Article
sources DOAJ
author Zoé Ververopoulou
spellingShingle Zoé Ververopoulou
La réalité en direct, l’actualité en spectacle (vivant)
Communication
neo-documentary
dramaturgy
genre
mediatization
France
author_facet Zoé Ververopoulou
author_sort Zoé Ververopoulou
title La réalité en direct, l’actualité en spectacle (vivant)
title_short La réalité en direct, l’actualité en spectacle (vivant)
title_full La réalité en direct, l’actualité en spectacle (vivant)
title_fullStr La réalité en direct, l’actualité en spectacle (vivant)
title_full_unstemmed La réalité en direct, l’actualité en spectacle (vivant)
title_sort la réalité en direct, l’actualité en spectacle (vivant)
publisher Université Laval
series Communication
issn 1189-3788
1920-7344
publishDate 2017-07-01
description This article explores the issue of neo-documentary theatre and analyses the approaches and issues of a mini corpus of highly fact-based French performances that incorporate authentic documents and discourse into their dramaturgy. Instead of keeping to a fictional approach and taking on the role of the media, this type of theatre takes on a journalistic role, with a view to redefining the stage’s relationships with the world and reconnect with the problems of the modern world. The author looks at the dynamics of journalism and the socio-political scope of the genre, its quest for authenticity and objectivity, as well as the efforts to estheticize reality, and the tensions that they create.
topic neo-documentary
dramaturgy
genre
mediatization
France
url http://journals.openedition.org/communication/7245
work_keys_str_mv AT zoeververopoulou larealiteendirectlactualiteenspectaclevivant
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