Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk

The Confidential Clerk is often considered as the all time low of T.S.Eliot’s output. As a part of his agenda for reinventing Verse Drama for the contemporary stage, which he set out on in wake of WW2, Eliot presented the play as an attempt to make verse acceptable on the stage by using a fashionabl...

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Main Author: Daniel Jean
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2009-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/1824
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spelling doaj-bf9cd096392546bab20a7844c65a386a2020-11-24T21:15:58ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022009-12-0110Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential ClerkDaniel JeanThe Confidential Clerk is often considered as the all time low of T.S.Eliot’s output. As a part of his agenda for reinventing Verse Drama for the contemporary stage, which he set out on in wake of WW2, Eliot presented the play as an attempt to make verse acceptable on the stage by using a fashionable form of drama, and by leaving out all poetry. This paper proposes to read the play - irrespective of its author’s prescriptions - as an attempt at underling, by the way of verse as an efficient element of metatheatrical discourse, the very artificiality of theatre.http://journals.openedition.org/sillagescritiques/1824artificiality of theatremetatheatrical discourseSecond World WarT.S. EliotThe Confidential ClerkVerse Drama
collection DOAJ
language English
format Article
sources DOAJ
author Daniel Jean
spellingShingle Daniel Jean
Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
Sillages Critiques
artificiality of theatre
metatheatrical discourse
Second World War
T.S. Eliot
The Confidential Clerk
Verse Drama
author_facet Daniel Jean
author_sort Daniel Jean
title Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_short Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_full Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_fullStr Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_full_unstemmed Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk
title_sort le vers comme indice d'artificialité dans le théâtre de t.s. eliot : the confidential clerk
publisher Centre de Recherche "Texte et Critique de Texte"
series Sillages Critiques
issn 1272-3819
1969-6302
publishDate 2009-12-01
description The Confidential Clerk is often considered as the all time low of T.S.Eliot’s output. As a part of his agenda for reinventing Verse Drama for the contemporary stage, which he set out on in wake of WW2, Eliot presented the play as an attempt to make verse acceptable on the stage by using a fashionable form of drama, and by leaving out all poetry. This paper proposes to read the play - irrespective of its author’s prescriptions - as an attempt at underling, by the way of verse as an efficient element of metatheatrical discourse, the very artificiality of theatre.
topic artificiality of theatre
metatheatrical discourse
Second World War
T.S. Eliot
The Confidential Clerk
Verse Drama
url http://journals.openedition.org/sillagescritiques/1824
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