‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapy

There is a longstanding relationship between music therapy and Dalcroze Eurhythmics, an approach to music education that had its beginnings in the reform pedagogy movement of the European fin de siècle. Émile Jaques-Dalcroze (1865-1950), the founder of the approach, initially focused on educational...

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Main Author: John Habron
Format: Article
Language:English
Published: AOSIS 2014-11-01
Series:The Journal for Transdisciplinary Research in Southern Africa
Subjects:
Online Access:http://www.td-sa.net/index.php/td/article/view/101
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spelling doaj-bf00c060c6e34f8fa7224183fe3a4af12020-11-25T02:32:54ZengAOSISThe Journal for Transdisciplinary Research in Southern Africa1817-44342415-20052014-11-0110210.4102/td.v10i2.10190‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapyJohn Habron0North-West University, Potchefstroom campusThere is a longstanding relationship between music therapy and Dalcroze Eurhythmics, an approach to music education that had its beginnings in the reform pedagogy movement of the European fin de siècle. Émile Jaques-Dalcroze (1865-1950), the founder of the approach, initially focused on educational aims, but was soon to include therapeutic ones as well. During the early twentieth century, Dalcroze teachers applied the approach to their work with disabled children. Such applications have continued to develop to the present day and have expanded to include palliative treatment in HIV/AIDS and gerontology. There are many theoretical and technical similarities between Dalcroze Eurhythmics and improvisational music therapy, including communication through musical improvisation and attunement in playing for movement. However, many of these similarities remain to be discussed in relation to the literatures on music therapy and communicative musicality. To address this gap, this article takes a transdisciplinary approach, making conceptual connections between the theory and practice of both Dalcroze Eurhythmics and music therapy. Implications for future training, practice and research in Dalcroze Eurhythmics are discussed.http://www.td-sa.net/index.php/td/article/view/101Dalcroze Eurhythmicsimprovisational music therapywellbeingcommunicative musicality
collection DOAJ
language English
format Article
sources DOAJ
author John Habron
spellingShingle John Habron
‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapy
The Journal for Transdisciplinary Research in Southern Africa
Dalcroze Eurhythmics
improvisational music therapy
wellbeing
communicative musicality
author_facet John Habron
author_sort John Habron
title ‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapy
title_short ‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapy
title_full ‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapy
title_fullStr ‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapy
title_full_unstemmed ‘Through music and into music’, through music and into well-being: Dalcroze eurhythmics as music therapy
title_sort ‘through music and into music’, through music and into well-being: dalcroze eurhythmics as music therapy
publisher AOSIS
series The Journal for Transdisciplinary Research in Southern Africa
issn 1817-4434
2415-2005
publishDate 2014-11-01
description There is a longstanding relationship between music therapy and Dalcroze Eurhythmics, an approach to music education that had its beginnings in the reform pedagogy movement of the European fin de siècle. Émile Jaques-Dalcroze (1865-1950), the founder of the approach, initially focused on educational aims, but was soon to include therapeutic ones as well. During the early twentieth century, Dalcroze teachers applied the approach to their work with disabled children. Such applications have continued to develop to the present day and have expanded to include palliative treatment in HIV/AIDS and gerontology. There are many theoretical and technical similarities between Dalcroze Eurhythmics and improvisational music therapy, including communication through musical improvisation and attunement in playing for movement. However, many of these similarities remain to be discussed in relation to the literatures on music therapy and communicative musicality. To address this gap, this article takes a transdisciplinary approach, making conceptual connections between the theory and practice of both Dalcroze Eurhythmics and music therapy. Implications for future training, practice and research in Dalcroze Eurhythmics are discussed.
topic Dalcroze Eurhythmics
improvisational music therapy
wellbeing
communicative musicality
url http://www.td-sa.net/index.php/td/article/view/101
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