Gender perspectives of instrumental jazz performers in southeastern Europe
I investigate constructed social platforms for female jazz instrumentalist, with a particular emphasis on the Balkan cultural space of Southeastern Europe (former Yugoslav countries). In this region, female jazz instrumentalists are confronted with multiple systems of rejection, facing d...
Main Author: | |
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Format: | Article |
Language: | English |
Published: |
Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2021-01-01
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Series: | Muzikologija |
Subjects: | |
Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2021/1450-98142130149J.pdf |
Summary: | I investigate constructed social platforms for female jazz instrumentalist,
with a particular emphasis on the Balkan cultural space of Southeastern
Europe (former Yugoslav countries). In this region, female jazz
instrumentalists are confronted with multiple systems of rejection, facing
double standards of the Balkan social-ideological patterns, typical for the
patriarchal tradition, reproduced and incorporated within a micro context of
the already gendered music genre. I analyze the image of female jazz
instrumentalist in the public cultural space where jazz is created and
consumed. This study presents autoethnographic testimonies as a subjective
point of view. |
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ISSN: | 1450-9814 2406-0976 |