ARTE: French-German Experiments in Crossing the Borders

This contribution is aimed at discussing different current policies of convergence as well as questioning whether these exploit the opportunities of digital media to their full potential, especially with regard to transmedia storytelling, interactivity, participation and networking. Taking the...

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Main Author: Wiehl, Anna
Format: Article
Language:English
Published: Netherlands Institute for Sound and Vision 2014-12-01
Series:VIEW Journal of European Television History and Culture
Online Access:https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc072/
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spelling doaj-be04650dcba34c2fb4a92ae8213bb2c92020-11-25T03:49:38ZengNetherlands Institute for Sound and VisionVIEW Journal of European Television History and Culture2213-09692014-12-01367810.18146/2213-0969.2014.jethc072ARTE: French-German Experiments in Crossing the BordersWiehl, Anna This contribution is aimed at discussing different current policies of convergence as well as questioning whether these exploit the opportunities of digital media to their full potential, especially with regard to transmedia storytelling, interactivity, participation and networking. Taking the portfolio of the ‘European Culture Channel’ ARTE as an example, I draw a sketch of existing and emerging industrial strategies as well as of new formats and user practices. In the second part of the article, I examine one specific genre within this context I look at the collaborative, networked transmedia documentary Prison Valley to consider transformations at both the macro and the micro level. Last but not least, I question whether ARTE fulfils its promise to be the first “100% bi-medial channel” (according to ARTE’s mission statement), or whether it promotes an ‘extended side-by-sideness’ of devices and practices, which would constitute the first steps towards the synergetic potential of media convergence.https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc072/
collection DOAJ
language English
format Article
sources DOAJ
author Wiehl, Anna
spellingShingle Wiehl, Anna
ARTE: French-German Experiments in Crossing the Borders
VIEW Journal of European Television History and Culture
author_facet Wiehl, Anna
author_sort Wiehl, Anna
title ARTE: French-German Experiments in Crossing the Borders
title_short ARTE: French-German Experiments in Crossing the Borders
title_full ARTE: French-German Experiments in Crossing the Borders
title_fullStr ARTE: French-German Experiments in Crossing the Borders
title_full_unstemmed ARTE: French-German Experiments in Crossing the Borders
title_sort arte: french-german experiments in crossing the borders
publisher Netherlands Institute for Sound and Vision
series VIEW Journal of European Television History and Culture
issn 2213-0969
publishDate 2014-12-01
description This contribution is aimed at discussing different current policies of convergence as well as questioning whether these exploit the opportunities of digital media to their full potential, especially with regard to transmedia storytelling, interactivity, participation and networking. Taking the portfolio of the ‘European Culture Channel’ ARTE as an example, I draw a sketch of existing and emerging industrial strategies as well as of new formats and user practices. In the second part of the article, I examine one specific genre within this context I look at the collaborative, networked transmedia documentary Prison Valley to consider transformations at both the macro and the micro level. Last but not least, I question whether ARTE fulfils its promise to be the first “100% bi-medial channel” (according to ARTE’s mission statement), or whether it promotes an ‘extended side-by-sideness’ of devices and practices, which would constitute the first steps towards the synergetic potential of media convergence.
url https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc072/
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