ARTE: French-German Experiments in Crossing the Borders
This contribution is aimed at discussing different current policies of convergence as well as questioning whether these exploit the opportunities of digital media to their full potential, especially with regard to transmedia storytelling, interactivity, participation and networking. Taking the...
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Netherlands Institute for Sound and Vision
2014-12-01
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Series: | VIEW Journal of European Television History and Culture |
Online Access: | https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc072/ |
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doaj-be04650dcba34c2fb4a92ae8213bb2c92020-11-25T03:49:38ZengNetherlands Institute for Sound and VisionVIEW Journal of European Television History and Culture2213-09692014-12-01367810.18146/2213-0969.2014.jethc072ARTE: French-German Experiments in Crossing the BordersWiehl, Anna This contribution is aimed at discussing different current policies of convergence as well as questioning whether these exploit the opportunities of digital media to their full potential, especially with regard to transmedia storytelling, interactivity, participation and networking. Taking the portfolio of the ‘European Culture Channel’ ARTE as an example, I draw a sketch of existing and emerging industrial strategies as well as of new formats and user practices. In the second part of the article, I examine one specific genre within this context I look at the collaborative, networked transmedia documentary Prison Valley to consider transformations at both the macro and the micro level. Last but not least, I question whether ARTE fulfils its promise to be the first “100% bi-medial channel” (according to ARTE’s mission statement), or whether it promotes an ‘extended side-by-sideness’ of devices and practices, which would constitute the first steps towards the synergetic potential of media convergence.https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc072/ |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Wiehl, Anna |
spellingShingle |
Wiehl, Anna ARTE: French-German Experiments in Crossing the Borders VIEW Journal of European Television History and Culture |
author_facet |
Wiehl, Anna |
author_sort |
Wiehl, Anna |
title |
ARTE: French-German Experiments in Crossing the Borders |
title_short |
ARTE: French-German Experiments in Crossing the Borders |
title_full |
ARTE: French-German Experiments in Crossing the Borders |
title_fullStr |
ARTE: French-German Experiments in Crossing the Borders |
title_full_unstemmed |
ARTE: French-German Experiments in Crossing the Borders |
title_sort |
arte: french-german experiments in crossing the borders |
publisher |
Netherlands Institute for Sound and Vision |
series |
VIEW Journal of European Television History and Culture |
issn |
2213-0969 |
publishDate |
2014-12-01 |
description |
This contribution is aimed at discussing different current policies of convergence as well as questioning whether these exploit the opportunities of digital media to their full potential, especially with regard to transmedia storytelling, interactivity, participation and networking. Taking the portfolio of the ‘European Culture Channel’ ARTE as an example, I draw a sketch of existing and emerging industrial strategies as well as of new formats and user practices. In the second part of the article, I examine one specific genre within this context I look at the collaborative, networked transmedia documentary Prison Valley to consider transformations at both the macro and the micro level. Last but not least, I question whether ARTE fulfils its promise to be the first “100% bi-medial channel” (according to ARTE’s mission statement), or whether it promotes an ‘extended side-by-sideness’ of devices and practices, which would constitute the first steps towards the synergetic potential of media convergence. |
url |
https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc072/ |
work_keys_str_mv |
AT wiehlanna artefrenchgermanexperimentsincrossingtheborders |
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