Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles
We present here a very brief history of the musical setting of French poetry by focusing on the period 1850-1950, which represents the “golden age” of the “French Song”, a genre caught between the poles of subjectivity (extreme attention to the letter of the text) and objectivity (predominance of mu...
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2011-12-01
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| Series: | Cahiers de Narratologie |
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| Online Access: | http://journals.openedition.org/narratologie/6485 |
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Article |
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doaj-bd23a0b90e9a42aa888e658126d65f402021-05-04T12:34:33ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2011-12-012110.4000/narratologie.6485Subjectivité et objectivité dans la mélodie française des XIXe et XXe sièclesAlain CorbellariWe present here a very brief history of the musical setting of French poetry by focusing on the period 1850-1950, which represents the “golden age” of the “French Song”, a genre caught between the poles of subjectivity (extreme attention to the letter of the text) and objectivity (predominance of musical structures). This tension between textual and musical constraints in the melodic configurations can be seen as an encounter between two competing narrativities.http://journals.openedition.org/narratologie/6485culture françaisemélodienarrativitéobjectivitésubjectivité |
| collection |
DOAJ |
| language |
fra |
| format |
Article |
| sources |
DOAJ |
| author |
Alain Corbellari |
| spellingShingle |
Alain Corbellari Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles Cahiers de Narratologie culture française mélodie narrativité objectivité subjectivité |
| author_facet |
Alain Corbellari |
| author_sort |
Alain Corbellari |
| title |
Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles |
| title_short |
Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles |
| title_full |
Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles |
| title_fullStr |
Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles |
| title_full_unstemmed |
Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles |
| title_sort |
subjectivité et objectivité dans la mélodie française des xixe et xxe siècles |
| publisher |
Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| series |
Cahiers de Narratologie |
| issn |
0993-8516 1765-307X |
| publishDate |
2011-12-01 |
| description |
We present here a very brief history of the musical setting of French poetry by focusing on the period 1850-1950, which represents the “golden age” of the “French Song”, a genre caught between the poles of subjectivity (extreme attention to the letter of the text) and objectivity (predominance of musical structures). This tension between textual and musical constraints in the melodic configurations can be seen as an encounter between two competing narrativities. |
| topic |
culture française mélodie narrativité objectivité subjectivité |
| url |
http://journals.openedition.org/narratologie/6485 |
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AT alaincorbellari subjectiviteetobjectivitedanslamelodiefrancaisedesxixeetxxesiecles |
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