South in W. Faulkner’s creative life

The article focuses on the works by William Faulkner, the plot of which cover the Civil War period – the novel “Undefeated” (1938), stories “Sermon victory” (1932) and “My Grandmother Millard, General Forrest and the Battle of Harrykin Creek” (1943). The image of the war is compared with the works o...

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Main Author: Volodina Anastasia Vsevolodovna
Format: Article
Language:English
Published: Sourthern Federal University 2016-06-01
Series:Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
Subjects:
Online Access:http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/10.18522%252F1995-0640-2016-2-27-34/904
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spelling doaj-bd12cfb6d2f44c2992d1e5da73ebf9c22020-11-25T02:48:05ZengSourthern Federal UniversityIzvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki1995-06402312-13432016-06-0120162273410.18522/1995-0640-2016-2-27-34South in W. Faulkner’s creative lifeVolodina Anastasia Vsevolodovna0Moscow State University of M.V. LomonosovThe article focuses on the works by William Faulkner, the plot of which cover the Civil War period – the novel “Undefeated” (1938), stories “Sermon victory” (1932) and “My Grandmother Millard, General Forrest and the Battle of Harrykin Creek” (1943). The image of the war is compared with the works of W. Faulkner and T.N. Page – in his apologetic southern collection of stories “The old Virginia or Mars Chan and Other Stories” (1887). It is studied how in the works of Faulkner the typical of the works of that era of Reconstruction concept of the “Lost Case” is refracted, according to which the North-South war was an attack of the barbarian Northerners on a supreme civilization, populated by noble cavaliers-Southerners. This article shows the transformation of Faulkner’s topos of classical southern military novel: devotion of the freed slave to his master, Yankees invasion of the plantation, love against the backdrop of the war, a heroic death. Faulkner deprives the uniqueness of the image of the war, his characters do not match the roles, or match them partially. Faulkner reduces the heroic pathos by means of irony, and travesty, refuting the myth cultivated by decades of great and glorious war.http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/10.18522%252F1995-0640-2016-2-27-34/904W. FaulknerT.N. PageCivil War of the USAsouthern military novel
collection DOAJ
language English
format Article
sources DOAJ
author Volodina Anastasia Vsevolodovna
spellingShingle Volodina Anastasia Vsevolodovna
South in W. Faulkner’s creative life
Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
W. Faulkner
T.N. Page
Civil War of the USA
southern military novel
author_facet Volodina Anastasia Vsevolodovna
author_sort Volodina Anastasia Vsevolodovna
title South in W. Faulkner’s creative life
title_short South in W. Faulkner’s creative life
title_full South in W. Faulkner’s creative life
title_fullStr South in W. Faulkner’s creative life
title_full_unstemmed South in W. Faulkner’s creative life
title_sort south in w. faulkner’s creative life
publisher Sourthern Federal University
series Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
issn 1995-0640
2312-1343
publishDate 2016-06-01
description The article focuses on the works by William Faulkner, the plot of which cover the Civil War period – the novel “Undefeated” (1938), stories “Sermon victory” (1932) and “My Grandmother Millard, General Forrest and the Battle of Harrykin Creek” (1943). The image of the war is compared with the works of W. Faulkner and T.N. Page – in his apologetic southern collection of stories “The old Virginia or Mars Chan and Other Stories” (1887). It is studied how in the works of Faulkner the typical of the works of that era of Reconstruction concept of the “Lost Case” is refracted, according to which the North-South war was an attack of the barbarian Northerners on a supreme civilization, populated by noble cavaliers-Southerners. This article shows the transformation of Faulkner’s topos of classical southern military novel: devotion of the freed slave to his master, Yankees invasion of the plantation, love against the backdrop of the war, a heroic death. Faulkner deprives the uniqueness of the image of the war, his characters do not match the roles, or match them partially. Faulkner reduces the heroic pathos by means of irony, and travesty, refuting the myth cultivated by decades of great and glorious war.
topic W. Faulkner
T.N. Page
Civil War of the USA
southern military novel
url http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/10.18522%252F1995-0640-2016-2-27-34/904
work_keys_str_mv AT volodinaanastasiavsevolodovna southinwfaulknerscreativelife
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