Postmodernist Identity Construction and Consumption

Abstract. With the transition from modernism to postmodernism, identity as a concept has started to become redefined in sociology literature. The aim of this study is to show that postmodernism and symbolic interactionism are fused together to delineate both the scene as well as an actor’s identity....

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Main Author: Reyhan KARABABA
Format: Article
Language:English
Published: Editura Fundatiei Romania de Maine 2016-09-01
Series:Journal of Economic Development, Environment and People
Subjects:
Online Access:http://ojs.spiruharet.ro/index.php/jedep/article/view/503
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spelling doaj-bcca0fec3d00402ea43fce46211d45eb2020-11-24T22:35:54ZengEditura Fundatiei Romania de MaineJournal of Economic Development, Environment and People2285-36422016-09-01532128464Postmodernist Identity Construction and ConsumptionReyhan KARABABA0Hitit University, Corum, TurkeyAbstract. With the transition from modernism to postmodernism, identity as a concept has started to become redefined in sociology literature. The aim of this study is to show that postmodernism and symbolic interactionism are fused together to delineate both the scene as well as an actor’s identity. In that way, the interaction of a social structure with a culture that won’t be completely ignored, and, with the opinion that the categorized roles can skillfully be shaped and diversified by actors, it is possible to refrain from a pure determinism. But the transformation to enter different roles lacks meaning. Individuals pay more attention to their appearance more than who they are in order to be accepted by each group. In this manner, a metaphysical shell game begins. In the following study, the “Social Appearance Anxiety” was used as an indicator of this game.  And to determine who is willing to play the game, cultural parameters were utilized.       This study was based on the analysis of the data collected through two questionnaires given to 181 students studying at Hitit University. The INDCOL questionnaire [Singelis et al., 1995] measuring cultural values and “Social Appearance Anxiety” scale developed by [Hart, 2008] were used in the study.http://ojs.spiruharet.ro/index.php/jedep/article/view/503Post Modernism, Identity, Cultural Values, Social Appearance Anxiety, Consumption.
collection DOAJ
language English
format Article
sources DOAJ
author Reyhan KARABABA
spellingShingle Reyhan KARABABA
Postmodernist Identity Construction and Consumption
Journal of Economic Development, Environment and People
Post Modernism, Identity, Cultural Values, Social Appearance Anxiety, Consumption.
author_facet Reyhan KARABABA
author_sort Reyhan KARABABA
title Postmodernist Identity Construction and Consumption
title_short Postmodernist Identity Construction and Consumption
title_full Postmodernist Identity Construction and Consumption
title_fullStr Postmodernist Identity Construction and Consumption
title_full_unstemmed Postmodernist Identity Construction and Consumption
title_sort postmodernist identity construction and consumption
publisher Editura Fundatiei Romania de Maine
series Journal of Economic Development, Environment and People
issn 2285-3642
publishDate 2016-09-01
description Abstract. With the transition from modernism to postmodernism, identity as a concept has started to become redefined in sociology literature. The aim of this study is to show that postmodernism and symbolic interactionism are fused together to delineate both the scene as well as an actor’s identity. In that way, the interaction of a social structure with a culture that won’t be completely ignored, and, with the opinion that the categorized roles can skillfully be shaped and diversified by actors, it is possible to refrain from a pure determinism. But the transformation to enter different roles lacks meaning. Individuals pay more attention to their appearance more than who they are in order to be accepted by each group. In this manner, a metaphysical shell game begins. In the following study, the “Social Appearance Anxiety” was used as an indicator of this game.  And to determine who is willing to play the game, cultural parameters were utilized.       This study was based on the analysis of the data collected through two questionnaires given to 181 students studying at Hitit University. The INDCOL questionnaire [Singelis et al., 1995] measuring cultural values and “Social Appearance Anxiety” scale developed by [Hart, 2008] were used in the study.
topic Post Modernism, Identity, Cultural Values, Social Appearance Anxiety, Consumption.
url http://ojs.spiruharet.ro/index.php/jedep/article/view/503
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