La « co-création » comme dispositif
The author examines the functioning of a “co-creative” multimedia platform named Simba (pseudonym) and reveals how, paradoxically, institutionalized forms of co-creation manage to emerge, only to be forever confronted by capitalism’s permanent system of coordination. Rather than conclude that this i...
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2016-01-01
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Online Access: | http://journals.openedition.org/communication/6013 |
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doaj-bcbb43cede0b4e4bb3a425ee580173862021-09-20T06:34:41ZfraUniversité LavalCommunication1189-37881920-73442016-01-0133210.4000/communication.6013La « co-création » comme dispositifMehdi ArfaouiThe author examines the functioning of a “co-creative” multimedia platform named Simba (pseudonym) and reveals how, paradoxically, institutionalized forms of co-creation manage to emerge, only to be forever confronted by capitalism’s permanent system of coordination. Rather than conclude that this is simply another case of capitalism re-appropriating the notions of sharing and creativity, the author’s analysis suggests a way of grasping the diverse and multiple values that these notions take on.http://journals.openedition.org/communication/6013co-creationsharingmultimedia platformdispositifcapitalism |
collection |
DOAJ |
language |
fra |
format |
Article |
sources |
DOAJ |
author |
Mehdi Arfaoui |
spellingShingle |
Mehdi Arfaoui La « co-création » comme dispositif Communication co-creation sharing multimedia platform dispositif capitalism |
author_facet |
Mehdi Arfaoui |
author_sort |
Mehdi Arfaoui |
title |
La « co-création » comme dispositif |
title_short |
La « co-création » comme dispositif |
title_full |
La « co-création » comme dispositif |
title_fullStr |
La « co-création » comme dispositif |
title_full_unstemmed |
La « co-création » comme dispositif |
title_sort |
la « co-création » comme dispositif |
publisher |
Université Laval |
series |
Communication |
issn |
1189-3788 1920-7344 |
publishDate |
2016-01-01 |
description |
The author examines the functioning of a “co-creative” multimedia platform named Simba (pseudonym) and reveals how, paradoxically, institutionalized forms of co-creation manage to emerge, only to be forever confronted by capitalism’s permanent system of coordination. Rather than conclude that this is simply another case of capitalism re-appropriating the notions of sharing and creativity, the author’s analysis suggests a way of grasping the diverse and multiple values that these notions take on. |
topic |
co-creation sharing multimedia platform dispositif capitalism |
url |
http://journals.openedition.org/communication/6013 |
work_keys_str_mv |
AT mehdiarfaoui lacocreationcommedispositif |
_version_ |
1717374885643157504 |