La « co-création » comme dispositif

The author examines the functioning of a “co-creative” multimedia platform named Simba (pseudonym) and reveals how, paradoxically, institutionalized forms of co-creation manage to emerge, only to be forever confronted by capitalism’s permanent system of coordination. Rather than conclude that this i...

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Bibliographic Details
Main Author: Mehdi Arfaoui
Format: Article
Language:fra
Published: Université Laval 2016-01-01
Series:Communication
Subjects:
Online Access:http://journals.openedition.org/communication/6013
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spelling doaj-bcbb43cede0b4e4bb3a425ee580173862021-09-20T06:34:41ZfraUniversité LavalCommunication1189-37881920-73442016-01-0133210.4000/communication.6013La « co-création » comme dispositifMehdi ArfaouiThe author examines the functioning of a “co-creative” multimedia platform named Simba (pseudonym) and reveals how, paradoxically, institutionalized forms of co-creation manage to emerge, only to be forever confronted by capitalism’s permanent system of coordination. Rather than conclude that this is simply another case of capitalism re-appropriating the notions of sharing and creativity, the author’s analysis suggests a way of grasping the diverse and multiple values that these notions take on.http://journals.openedition.org/communication/6013co-creationsharingmultimedia platformdispositifcapitalism
collection DOAJ
language fra
format Article
sources DOAJ
author Mehdi Arfaoui
spellingShingle Mehdi Arfaoui
La « co-création » comme dispositif
Communication
co-creation
sharing
multimedia platform
dispositif
capitalism
author_facet Mehdi Arfaoui
author_sort Mehdi Arfaoui
title La « co-création » comme dispositif
title_short La « co-création » comme dispositif
title_full La « co-création » comme dispositif
title_fullStr La « co-création » comme dispositif
title_full_unstemmed La « co-création » comme dispositif
title_sort la « co-création » comme dispositif
publisher Université Laval
series Communication
issn 1189-3788
1920-7344
publishDate 2016-01-01
description The author examines the functioning of a “co-creative” multimedia platform named Simba (pseudonym) and reveals how, paradoxically, institutionalized forms of co-creation manage to emerge, only to be forever confronted by capitalism’s permanent system of coordination. Rather than conclude that this is simply another case of capitalism re-appropriating the notions of sharing and creativity, the author’s analysis suggests a way of grasping the diverse and multiple values that these notions take on.
topic co-creation
sharing
multimedia platform
dispositif
capitalism
url http://journals.openedition.org/communication/6013
work_keys_str_mv AT mehdiarfaoui lacocreationcommedispositif
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