| Summary: | <p>Volumi e saggi<br />Jay Schulkin, <em>Reflections on the Musical Mind. An Evolutionary Perspective</em>, [Michele Gardini, p. 202] • Hans Belting, <em>Faces. Eine Geschichte des Gesichts</em> [Pietro Conte, p. 205] • Aby Warburg, <em>Il primo Rinascimento italiano. Sette conferenze inedite</em> [Alice Barale, p. 207] • Laura Anna Macor (a cura di), <em>Reading Schiller: Ethics, Aesthetics and Religion</em> [Lorenzo Leonardo Pizzichemi, p. 209] • Bernard Lafargue, Stéphanie Cardoso (a cura di), <em>Figures de l’art n° 25, Philosophie du design</em> [Claire Azéma, Anne Beyaert Geslin, Stéphanie Cardoso, Cécile Croce, p. 212] • Helmut Leder et al., <em>What Makes an Art Expert? Emotion and Evaluation in Art Appreciation</em>, “Cognition and Emotion”, 2013, 28, pp. 1-11; Enric Munar et al., <em>Aesthetic Appreciation: Event-Related Field and Time-Frequency Analyses</em>, “Frontiers in Human Neurosciences”, 2012, 5, pp. 1-11; Gerald C. Cupchik et al., <em>Viewing Artworks: Contributions of Cognitive Control and Perceptual Facilitation to Aesthetic Experience</em>, “Brain and Cognition”, 2009, 70, pp. 84-91 [Gianluca Consoli, p. 217]</p>
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