Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee

Starting from a discussion of the controversial notion of postmodern sublime, the paper deals with some contemporary declinations and transformations of this thorny category: the camp sublime, which can be compared with Jameson’s hysterical sublime or with Žižek's trash sublime; the total work...

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Main Author: Massimo Fusillo
Format: Article
Language:deu
Published: Università degli Studi di Torino 2016-06-01
Series:CoSMO
Online Access:https://www.ojs.unito.it/index.php/COSMO/article/view/1362
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spelling doaj-bb435a9497854a00acf2165108e29d912021-09-13T19:50:19ZdeuUniversità degli Studi di TorinoCoSMO2281-66582016-06-01810.13135/2281-6658/1362Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporaneeMassimo Fusillo0Università dell'AquilaStarting from a discussion of the controversial notion of postmodern sublime, the paper deals with some contemporary declinations and transformations of this thorny category: the camp sublime, which can be compared with Jameson’s hysterical sublime or with Žižek's trash sublime; the total work of art as utopian fusion of artistic genres and existential experiences, especially in its posthuman development; the tragic extremism, which questions the limits of representation; and finally the maximalism, which aims at gaining a totalizing epic fresco. The theoretical discussion of these movements is linked with a focus on some significant artists: Anselm Kiefer, Lars von Trier, Matthew Barney, Sarah Kane, Don DeLillo, David Forster Wallace.https://www.ojs.unito.it/index.php/COSMO/article/view/1362
collection DOAJ
language deu
format Article
sources DOAJ
author Massimo Fusillo
spellingShingle Massimo Fusillo
Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee
CoSMO
author_facet Massimo Fusillo
author_sort Massimo Fusillo
title Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee
title_short Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee
title_full Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee
title_fullStr Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee
title_full_unstemmed Sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee
title_sort sublime isterico, estremismo tragico, posthuman, massimalismo: su alcune declinazioni contemporanee
publisher Università degli Studi di Torino
series CoSMO
issn 2281-6658
publishDate 2016-06-01
description Starting from a discussion of the controversial notion of postmodern sublime, the paper deals with some contemporary declinations and transformations of this thorny category: the camp sublime, which can be compared with Jameson’s hysterical sublime or with Žižek's trash sublime; the total work of art as utopian fusion of artistic genres and existential experiences, especially in its posthuman development; the tragic extremism, which questions the limits of representation; and finally the maximalism, which aims at gaining a totalizing epic fresco. The theoretical discussion of these movements is linked with a focus on some significant artists: Anselm Kiefer, Lars von Trier, Matthew Barney, Sarah Kane, Don DeLillo, David Forster Wallace.
url https://www.ojs.unito.it/index.php/COSMO/article/view/1362
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