“Music for millions”. Janos Marothy and academic research on popular music in socialist Hungary
In this paper I demonstrate the changes in Janos Marothy’s aesthetic and political attitudes towards popular music. Being an internationally acknowledged Marxist musicologist, Marothy found employment in many important musical institutions, in the framework of which he not only had an overv...
Main Author: | Ignacz Adam |
---|---|
Format: | Article |
Language: | English |
Published: |
Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2017-01-01
|
Series: | Muzikologija |
Subjects: | |
Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2017/1450-98141723117I.pdf |
Similar Items
-
Musical and Social Structures: Marxist Interpretations of Popular Music in the 1960s and early 1970s in Hungary and the UK
by: Emília Barna, et al.
Published: (2018-06-01) -
The "Re-Tuning" of János Arany's Life and Work in the Popular Education of the 1950s
by: Eitler, Á
Published: (2021) -
Theories on socialist realism and socialist music culture in the 1960s in Hungary
by: Ranki Andras
Published: (2019-01-01) -
Theory and practice of socialist realism in Soviet music to 1949
by: Del Giudice, Martine N. (Martine Nathalie)
Published: (1975) -
Experiencing Divinity. János Arany’s Interpretation of Dante in 32 Lines
by: László Gyapay
Published: (2017-12-01)