Le radicalisme de Michael Moore

Michael Moore is famous and popular in many European countries, where he is seen as a critic of American culture. However, his main thesis, which is repeatedly expressed in his films and books, does not primarily criticize American popular culture or political tradition. Rather, this article argues...

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Main Author: Jean-Marie Ruiz
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2004-01-01
Series:Revue LISA
Online Access:http://journals.openedition.org/lisa/907
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spelling doaj-bae6905557bb4dd99565fa2b592777892021-10-02T02:04:05ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532004-01-01Le radicalisme de Michael MooreJean-Marie RuizMichael Moore is famous and popular in many European countries, where he is seen as a critic of American culture. However, his main thesis, which is repeatedly expressed in his films and books, does not primarily criticize American popular culture or political tradition. Rather, this article argues that Moore’s thought may best be analysed through the American tradition of radicalism, whose origin dates back to Thomas Paine. Obviously, Moore is a contemporary radical who uses the modern media to reach as many people as possible. Yet some aspects of his rationale are surprisingly close to 18th century American radicalism.http://journals.openedition.org/lisa/907
collection DOAJ
language English
format Article
sources DOAJ
author Jean-Marie Ruiz
spellingShingle Jean-Marie Ruiz
Le radicalisme de Michael Moore
Revue LISA
author_facet Jean-Marie Ruiz
author_sort Jean-Marie Ruiz
title Le radicalisme de Michael Moore
title_short Le radicalisme de Michael Moore
title_full Le radicalisme de Michael Moore
title_fullStr Le radicalisme de Michael Moore
title_full_unstemmed Le radicalisme de Michael Moore
title_sort le radicalisme de michael moore
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2004-01-01
description Michael Moore is famous and popular in many European countries, where he is seen as a critic of American culture. However, his main thesis, which is repeatedly expressed in his films and books, does not primarily criticize American popular culture or political tradition. Rather, this article argues that Moore’s thought may best be analysed through the American tradition of radicalism, whose origin dates back to Thomas Paine. Obviously, Moore is a contemporary radical who uses the modern media to reach as many people as possible. Yet some aspects of his rationale are surprisingly close to 18th century American radicalism.
url http://journals.openedition.org/lisa/907
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