« Series finale » : enjeux et théorie d’un compromis moderne

This article explores the issue of finality in serial fiction. We explore the stakes of the series finale, which is the ultimate period of a vast narrative project. As we go back through the thread of the story and study changes in endings, we offer a theory on series’ endings as based on a systemat...

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Main Author: Vladimir Lifschutz
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2015-06-01
Series:TV Series
Online Access:http://journals.openedition.org/tvseries/284
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spelling doaj-bab33613904d4d608e8e1a5f6051ec812020-11-25T00:44:25ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092015-06-01710.4000/tvseries.284« Series finale » : enjeux et théorie d’un compromis moderneVladimir LifschutzThis article explores the issue of finality in serial fiction. We explore the stakes of the series finale, which is the ultimate period of a vast narrative project. As we go back through the thread of the story and study changes in endings, we offer a theory on series’ endings as based on a systematic challenging of a “formula” – a “deformulation” whose objective is to allow the fiction to evolve from its first airing to a larger world we will call the world of “multimedia re-appropriation”. This theory is here tested through the practical example of sitcom Scrubs (aired from 2001 to 2008 on NBC and from 2009-2010 on ABC). The economical mutation around TV shows changes the expectations by TV networks and studios, and gives a new role to the ending, which becomes a link between two forms of existence.http://journals.openedition.org/tvseries/284
collection DOAJ
language English
format Article
sources DOAJ
author Vladimir Lifschutz
spellingShingle Vladimir Lifschutz
« Series finale » : enjeux et théorie d’un compromis moderne
TV Series
author_facet Vladimir Lifschutz
author_sort Vladimir Lifschutz
title « Series finale » : enjeux et théorie d’un compromis moderne
title_short « Series finale » : enjeux et théorie d’un compromis moderne
title_full « Series finale » : enjeux et théorie d’un compromis moderne
title_fullStr « Series finale » : enjeux et théorie d’un compromis moderne
title_full_unstemmed « Series finale » : enjeux et théorie d’un compromis moderne
title_sort « series finale » : enjeux et théorie d’un compromis moderne
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2015-06-01
description This article explores the issue of finality in serial fiction. We explore the stakes of the series finale, which is the ultimate period of a vast narrative project. As we go back through the thread of the story and study changes in endings, we offer a theory on series’ endings as based on a systematic challenging of a “formula” – a “deformulation” whose objective is to allow the fiction to evolve from its first airing to a larger world we will call the world of “multimedia re-appropriation”. This theory is here tested through the practical example of sitcom Scrubs (aired from 2001 to 2008 on NBC and from 2009-2010 on ABC). The economical mutation around TV shows changes the expectations by TV networks and studios, and gives a new role to the ending, which becomes a link between two forms of existence.
url http://journals.openedition.org/tvseries/284
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