« Series finale » : enjeux et théorie d’un compromis moderne
This article explores the issue of finality in serial fiction. We explore the stakes of the series finale, which is the ultimate period of a vast narrative project. As we go back through the thread of the story and study changes in endings, we offer a theory on series’ endings as based on a systemat...
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Groupe de Recherche Identités et Cultures
2015-06-01
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Online Access: | http://journals.openedition.org/tvseries/284 |
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doaj-bab33613904d4d608e8e1a5f6051ec812020-11-25T00:44:25ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092015-06-01710.4000/tvseries.284« Series finale » : enjeux et théorie d’un compromis moderneVladimir LifschutzThis article explores the issue of finality in serial fiction. We explore the stakes of the series finale, which is the ultimate period of a vast narrative project. As we go back through the thread of the story and study changes in endings, we offer a theory on series’ endings as based on a systematic challenging of a “formula” – a “deformulation” whose objective is to allow the fiction to evolve from its first airing to a larger world we will call the world of “multimedia re-appropriation”. This theory is here tested through the practical example of sitcom Scrubs (aired from 2001 to 2008 on NBC and from 2009-2010 on ABC). The economical mutation around TV shows changes the expectations by TV networks and studios, and gives a new role to the ending, which becomes a link between two forms of existence.http://journals.openedition.org/tvseries/284 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Vladimir Lifschutz |
spellingShingle |
Vladimir Lifschutz « Series finale » : enjeux et théorie d’un compromis moderne TV Series |
author_facet |
Vladimir Lifschutz |
author_sort |
Vladimir Lifschutz |
title |
« Series finale » : enjeux et théorie d’un compromis moderne |
title_short |
« Series finale » : enjeux et théorie d’un compromis moderne |
title_full |
« Series finale » : enjeux et théorie d’un compromis moderne |
title_fullStr |
« Series finale » : enjeux et théorie d’un compromis moderne |
title_full_unstemmed |
« Series finale » : enjeux et théorie d’un compromis moderne |
title_sort |
« series finale » : enjeux et théorie d’un compromis moderne |
publisher |
Groupe de Recherche Identités et Cultures |
series |
TV Series |
issn |
2266-0909 |
publishDate |
2015-06-01 |
description |
This article explores the issue of finality in serial fiction. We explore the stakes of the series finale, which is the ultimate period of a vast narrative project. As we go back through the thread of the story and study changes in endings, we offer a theory on series’ endings as based on a systematic challenging of a “formula” – a “deformulation” whose objective is to allow the fiction to evolve from its first airing to a larger world we will call the world of “multimedia re-appropriation”. This theory is here tested through the practical example of sitcom Scrubs (aired from 2001 to 2008 on NBC and from 2009-2010 on ABC). The economical mutation around TV shows changes the expectations by TV networks and studios, and gives a new role to the ending, which becomes a link between two forms of existence. |
url |
http://journals.openedition.org/tvseries/284 |
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