Jazz et aspirations collectives : un « call-response » inversé ?

The principle of antiphony, more commonly known as "call-response" is often mentioned in the contextual configuration of an artistic expression, whether literary, as in Toni Morrison’s novels for example, or in music, in most cases. It represents the process that will frame and format the...

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Main Author: Philippe Sadikalay
Format: Article
Language:English
Published: Université des Antilles 2014-12-01
Series:Études Caribéennes
Subjects:
Online Access:http://journals.openedition.org/etudescaribeennes/7113
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spelling doaj-b960aeb563e94f9abd1fdd4592b8e03a2020-11-24T21:26:27ZengUniversité des AntillesÉtudes Caribéennes1779-09801961-859X2014-12-012910.4000/etudescaribeennes.7113Jazz et aspirations collectives : un « call-response » inversé ?Philippe SadikalayThe principle of antiphony, more commonly known as "call-response" is often mentioned in the contextual configuration of an artistic expression, whether literary, as in Toni Morrison’s novels for example, or in music, in most cases. It represents the process that will frame and format the modalities of communication between members of an audience and a performer, a creator. This article proposes a broader and cross-reading approach of this typical habitus among black communities in the Americas, especially in contemporary contexts of the Civil Rights Movements and of the aesthetic renewal of Jazz, after the Swing era.http://journals.openedition.org/etudescaribeennes/7113call-responseanalogyaestheticcollective aspirationfunctional musicemotion
collection DOAJ
language English
format Article
sources DOAJ
author Philippe Sadikalay
spellingShingle Philippe Sadikalay
Jazz et aspirations collectives : un « call-response » inversé ?
Études Caribéennes
call-response
analogy
aesthetic
collective aspiration
functional music
emotion
author_facet Philippe Sadikalay
author_sort Philippe Sadikalay
title Jazz et aspirations collectives : un « call-response » inversé ?
title_short Jazz et aspirations collectives : un « call-response » inversé ?
title_full Jazz et aspirations collectives : un « call-response » inversé ?
title_fullStr Jazz et aspirations collectives : un « call-response » inversé ?
title_full_unstemmed Jazz et aspirations collectives : un « call-response » inversé ?
title_sort jazz et aspirations collectives : un « call-response » inversé ?
publisher Université des Antilles
series Études Caribéennes
issn 1779-0980
1961-859X
publishDate 2014-12-01
description The principle of antiphony, more commonly known as "call-response" is often mentioned in the contextual configuration of an artistic expression, whether literary, as in Toni Morrison’s novels for example, or in music, in most cases. It represents the process that will frame and format the modalities of communication between members of an audience and a performer, a creator. This article proposes a broader and cross-reading approach of this typical habitus among black communities in the Americas, especially in contemporary contexts of the Civil Rights Movements and of the aesthetic renewal of Jazz, after the Swing era.
topic call-response
analogy
aesthetic
collective aspiration
functional music
emotion
url http://journals.openedition.org/etudescaribeennes/7113
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