Jazz et aspirations collectives : un « call-response » inversé ?
The principle of antiphony, more commonly known as "call-response" is often mentioned in the contextual configuration of an artistic expression, whether literary, as in Toni Morrison’s novels for example, or in music, in most cases. It represents the process that will frame and format the...
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Université des Antilles
2014-12-01
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Online Access: | http://journals.openedition.org/etudescaribeennes/7113 |
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doaj-b960aeb563e94f9abd1fdd4592b8e03a2020-11-24T21:26:27ZengUniversité des AntillesÉtudes Caribéennes1779-09801961-859X2014-12-012910.4000/etudescaribeennes.7113Jazz et aspirations collectives : un « call-response » inversé ?Philippe SadikalayThe principle of antiphony, more commonly known as "call-response" is often mentioned in the contextual configuration of an artistic expression, whether literary, as in Toni Morrison’s novels for example, or in music, in most cases. It represents the process that will frame and format the modalities of communication between members of an audience and a performer, a creator. This article proposes a broader and cross-reading approach of this typical habitus among black communities in the Americas, especially in contemporary contexts of the Civil Rights Movements and of the aesthetic renewal of Jazz, after the Swing era.http://journals.openedition.org/etudescaribeennes/7113call-responseanalogyaestheticcollective aspirationfunctional musicemotion |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Philippe Sadikalay |
spellingShingle |
Philippe Sadikalay Jazz et aspirations collectives : un « call-response » inversé ? Études Caribéennes call-response analogy aesthetic collective aspiration functional music emotion |
author_facet |
Philippe Sadikalay |
author_sort |
Philippe Sadikalay |
title |
Jazz et aspirations collectives : un « call-response » inversé ? |
title_short |
Jazz et aspirations collectives : un « call-response » inversé ? |
title_full |
Jazz et aspirations collectives : un « call-response » inversé ? |
title_fullStr |
Jazz et aspirations collectives : un « call-response » inversé ? |
title_full_unstemmed |
Jazz et aspirations collectives : un « call-response » inversé ? |
title_sort |
jazz et aspirations collectives : un « call-response » inversé ? |
publisher |
Université des Antilles |
series |
Études Caribéennes |
issn |
1779-0980 1961-859X |
publishDate |
2014-12-01 |
description |
The principle of antiphony, more commonly known as "call-response" is often mentioned in the contextual configuration of an artistic expression, whether literary, as in Toni Morrison’s novels for example, or in music, in most cases. It represents the process that will frame and format the modalities of communication between members of an audience and a performer, a creator. This article proposes a broader and cross-reading approach of this typical habitus among black communities in the Americas, especially in contemporary contexts of the Civil Rights Movements and of the aesthetic renewal of Jazz, after the Swing era. |
topic |
call-response analogy aesthetic collective aspiration functional music emotion |
url |
http://journals.openedition.org/etudescaribeennes/7113 |
work_keys_str_mv |
AT philippesadikalay jazzetaspirationscollectivesuncallresponseinverse |
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1725979721564422144 |