À côté de Versailles, Marly

The system of Marly was different, even antithetical, to that of Versailles: the definitive overall design from the very beginning, the pavilion’s structure, the interweaving of nature and building, lightweight material, a lack of differentiation between apartments, etc. If its origins are in festiv...

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Main Author: Gérard Sabatier
Format: Article
Language:English
Published: Centre de Recherche du Château de Versailles 2006-03-01
Series:Bulletin du Centre de Recherche du Château de Versailles
Subjects:
Online Access:http://journals.openedition.org/crcv/11956
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spelling doaj-b8858a73fe444ee08189a717eca54a9c2020-11-24T22:00:50ZengCentre de Recherche du Château de VersaillesBulletin du Centre de Recherche du Château de Versailles1958-92712006-03-0110.4000/crcv.11956À côté de Versailles, MarlyGérard SabatierThe system of Marly was different, even antithetical, to that of Versailles: the definitive overall design from the very beginning, the pavilion’s structure, the interweaving of nature and building, lightweight material, a lack of differentiation between apartments, etc. If its origins are in festive decorations – ephemeral pavilions on the large canal in 1674 – the genesis of the device is discussed: a Carthusian or Imperial Roman model? With its painted facades, however, Marly was a clear return to antiquity, as advocated by Jules Hardouin-Mansart. Traditionally seen as a place of retreat and private entertainment for the king, it appears, in the light of more recent studies, as a site of power, different from but complementary to Versailles, a place not of its rhetoric but of real governance in the last years of his reign, a culmination of absolutism whose “machine” constitutes the metaphor.http://journals.openedition.org/crcv/11956Louis XIVMarlySaint-GermainVersailles
collection DOAJ
language English
format Article
sources DOAJ
author Gérard Sabatier
spellingShingle Gérard Sabatier
À côté de Versailles, Marly
Bulletin du Centre de Recherche du Château de Versailles
Louis XIV
Marly
Saint-Germain
Versailles
author_facet Gérard Sabatier
author_sort Gérard Sabatier
title À côté de Versailles, Marly
title_short À côté de Versailles, Marly
title_full À côté de Versailles, Marly
title_fullStr À côté de Versailles, Marly
title_full_unstemmed À côté de Versailles, Marly
title_sort à côté de versailles, marly
publisher Centre de Recherche du Château de Versailles
series Bulletin du Centre de Recherche du Château de Versailles
issn 1958-9271
publishDate 2006-03-01
description The system of Marly was different, even antithetical, to that of Versailles: the definitive overall design from the very beginning, the pavilion’s structure, the interweaving of nature and building, lightweight material, a lack of differentiation between apartments, etc. If its origins are in festive decorations – ephemeral pavilions on the large canal in 1674 – the genesis of the device is discussed: a Carthusian or Imperial Roman model? With its painted facades, however, Marly was a clear return to antiquity, as advocated by Jules Hardouin-Mansart. Traditionally seen as a place of retreat and private entertainment for the king, it appears, in the light of more recent studies, as a site of power, different from but complementary to Versailles, a place not of its rhetoric but of real governance in the last years of his reign, a culmination of absolutism whose “machine” constitutes the metaphor.
topic Louis XIV
Marly
Saint-Germain
Versailles
url http://journals.openedition.org/crcv/11956
work_keys_str_mv AT gerardsabatier acotedeversaillesmarly
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