À côté de Versailles, Marly
The system of Marly was different, even antithetical, to that of Versailles: the definitive overall design from the very beginning, the pavilion’s structure, the interweaving of nature and building, lightweight material, a lack of differentiation between apartments, etc. If its origins are in festiv...
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Centre de Recherche du Château de Versailles
2006-03-01
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Online Access: | http://journals.openedition.org/crcv/11956 |
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doaj-b8858a73fe444ee08189a717eca54a9c2020-11-24T22:00:50ZengCentre de Recherche du Château de VersaillesBulletin du Centre de Recherche du Château de Versailles1958-92712006-03-0110.4000/crcv.11956À côté de Versailles, MarlyGérard SabatierThe system of Marly was different, even antithetical, to that of Versailles: the definitive overall design from the very beginning, the pavilion’s structure, the interweaving of nature and building, lightweight material, a lack of differentiation between apartments, etc. If its origins are in festive decorations – ephemeral pavilions on the large canal in 1674 – the genesis of the device is discussed: a Carthusian or Imperial Roman model? With its painted facades, however, Marly was a clear return to antiquity, as advocated by Jules Hardouin-Mansart. Traditionally seen as a place of retreat and private entertainment for the king, it appears, in the light of more recent studies, as a site of power, different from but complementary to Versailles, a place not of its rhetoric but of real governance in the last years of his reign, a culmination of absolutism whose “machine” constitutes the metaphor.http://journals.openedition.org/crcv/11956Louis XIVMarlySaint-GermainVersailles |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Gérard Sabatier |
spellingShingle |
Gérard Sabatier À côté de Versailles, Marly Bulletin du Centre de Recherche du Château de Versailles Louis XIV Marly Saint-Germain Versailles |
author_facet |
Gérard Sabatier |
author_sort |
Gérard Sabatier |
title |
À côté de Versailles, Marly |
title_short |
À côté de Versailles, Marly |
title_full |
À côté de Versailles, Marly |
title_fullStr |
À côté de Versailles, Marly |
title_full_unstemmed |
À côté de Versailles, Marly |
title_sort |
à côté de versailles, marly |
publisher |
Centre de Recherche du Château de Versailles |
series |
Bulletin du Centre de Recherche du Château de Versailles |
issn |
1958-9271 |
publishDate |
2006-03-01 |
description |
The system of Marly was different, even antithetical, to that of Versailles: the definitive overall design from the very beginning, the pavilion’s structure, the interweaving of nature and building, lightweight material, a lack of differentiation between apartments, etc. If its origins are in festive decorations – ephemeral pavilions on the large canal in 1674 – the genesis of the device is discussed: a Carthusian or Imperial Roman model? With its painted facades, however, Marly was a clear return to antiquity, as advocated by Jules Hardouin-Mansart. Traditionally seen as a place of retreat and private entertainment for the king, it appears, in the light of more recent studies, as a site of power, different from but complementary to Versailles, a place not of its rhetoric but of real governance in the last years of his reign, a culmination of absolutism whose “machine” constitutes the metaphor. |
topic |
Louis XIV Marly Saint-Germain Versailles |
url |
http://journals.openedition.org/crcv/11956 |
work_keys_str_mv |
AT gerardsabatier acotedeversaillesmarly |
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1725842541226491904 |