THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART

The paper concerns Japanese art. Japanese woodcuts reached Europe during the times of change and the search for new opportunities in European art, which tried to break free from the strict rules of academic painting. Japonism reached Poland with a twenty-year delay. The Land of the Rising Sun was an...

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Bibliographic Details
Main Author:	Marta Maśka
Format:	Article
Language:	deu
Published:	Nicolaus Copernicus University in Toruń 2014-12-01
Series:	Litteraria Copernicana
Subjects:	japanese woodcuts olga boznańska wojciech weiss manggha
Online Access:	https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5193

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spelling	doaj-b869b63b348945138a4971922b162bce2021-08-10T07:30:50ZdeuNicolaus Copernicus University in ToruńLitteraria Copernicana1899-315X2392-16172014-12-0102(14)/13814910.12775/LC.2014.0284736THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ARTMarta Maśka0Wydział Polonistyczny Uniwersytetu WarszawskiegoThe paper concerns Japanese art. Japanese woodcuts reached Europe during the times of change and the search for new opportunities in European art, which tried to break free from the strict rules of academic painting. Japonism reached Poland with a twenty-year delay. The Land of the Rising Sun was an inspiration for Olga Boznańska, Julian Fałat, Wojciech Weiss, Leon Wyczółkowski and Stanisław Wyspiański’s art. The Japanese style was quickly incorporated in the contemporary discussion about national style in art and the need to create the Polish school of painting. One of the greatest promoters of and speakers for Japonism was Feliks „Manggha” Jasieński.https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5193japanese woodcutsolga boznańskawojciech weissmanggha
collection	DOAJ
language	deu
format	Article
sources	DOAJ
author	Marta Maśka
spellingShingle	Marta Maśka THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART Litteraria Copernicana japanese woodcuts olga boznańska wojciech weiss manggha
author_facet	Marta Maśka
author_sort	Marta Maśka
title	THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART
title_short	THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART
title_full	THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART
title_fullStr	THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART
title_full_unstemmed	THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART
title_sort	japanese woodcut in poland – on the japanese aspects of the battle for new art
publisher	Nicolaus Copernicus University in Toruń
series	Litteraria Copernicana
issn	1899-315X 2392-1617
publishDate	2014-12-01
description	The paper concerns Japanese art. Japanese woodcuts reached Europe during the times of change and the search for new opportunities in European art, which tried to break free from the strict rules of academic painting. Japonism reached Poland with a twenty-year delay. The Land of the Rising Sun was an inspiration for Olga Boznańska, Julian Fałat, Wojciech Weiss, Leon Wyczółkowski and Stanisław Wyspiański’s art. The Japanese style was quickly incorporated in the contemporary discussion about national style in art and the need to create the Polish school of painting. One of the greatest promoters of and speakers for Japonism was Feliks „Manggha” Jasieński.
topic	japanese woodcuts olga boznańska wojciech weiss manggha
url	https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5193
work_keys_str_mv	AT martamaska thejapanesewoodcutinpolandonthejapaneseaspectsofthebattlefornewart AT martamaska japanesewoodcutinpolandonthejapaneseaspectsofthebattlefornewart
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THE JAPANESE WOODCUT IN POLAND – ON THE JAPANESE ASPECTS OF THE BATTLE FOR NEW ART

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