The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity
This essay addresses historiographical and methodological issues about the very beginnings of the scholarship on early medieval manuscript illumination during the eighteenth and nineteenth centuries. The enduring importance of Greek art and the development of national or ethnic approaches have profo...
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Department of Art History, University of Birmingham
2020-06-01
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Online Access: | https://arthistoriography.files.wordpress.com/2020/05/denoel.pdf |
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doaj-b81a3462ad624935808189d95e0eda772020-11-25T03:40:36ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522020-06-012222CD1The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity Charlotte Denoël 0Bibliothèque nationale de FranceThis essay addresses historiographical and methodological issues about the very beginnings of the scholarship on early medieval manuscript illumination during the eighteenth and nineteenth centuries. The enduring importance of Greek art and the development of national or ethnic approaches have profoundly shaped our appreciation and interpretation of early medieval illumination, and the latter is still relevant today. By putting into perspective the deep history of early medieval manuscript illumination studies, I seek to show how this area of research connects with other fields such as history or archaeology and why it occupied a long marginalized position within art historical scholarship.https://arthistoriography.files.wordpress.com/2020/05/denoel.pdfearly medieval illuminationclassicismethnicity |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Charlotte Denoël |
spellingShingle |
Charlotte Denoël The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity Journal of Art Historiography early medieval illumination classicism ethnicity |
author_facet |
Charlotte Denoël |
author_sort |
Charlotte Denoël |
title |
The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity |
title_short |
The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity |
title_full |
The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity |
title_fullStr |
The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity |
title_full_unstemmed |
The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity |
title_sort |
beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity |
publisher |
Department of Art History, University of Birmingham |
series |
Journal of Art Historiography |
issn |
2042-4752 |
publishDate |
2020-06-01 |
description |
This essay addresses historiographical and methodological issues about the very beginnings of the scholarship on early medieval manuscript illumination during the eighteenth and nineteenth centuries. The enduring importance of Greek art and the development of national or ethnic approaches have profoundly shaped our appreciation and interpretation of early medieval illumination, and the latter is still relevant today. By putting into perspective the deep history of early medieval manuscript illumination studies, I seek to show how this area of research connects with other fields such as history or archaeology and why it occupied a long marginalized position within art historical scholarship. |
topic |
early medieval illumination classicism ethnicity |
url |
https://arthistoriography.files.wordpress.com/2020/05/denoel.pdf |
work_keys_str_mv |
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1724533950230036480 |