The palette and the brush under the founding myth construction

The objective of this paper is to examine how part of the intellectual and political Uruguayan elites was concerned about the orientalization of the Uruguayan National State and undertook the consolidation the national conscience through intellectual and artistic works. Though each art has its own l...

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Main Author:	Susana Bleil de Souza
Format:	Article
Language:	English
Published:	Universidade Federal de Santa Catarina 2009-04-01
Series:	Esboços
Subjects:	Nação Imagem Identidade Mito Juan Manuel Blanes Uruguai
Online Access:	https://periodicos.ufsc.br/index.php/esbocos/article/view/10247

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spelling	doaj-b7a661ced443496b9dfcb023a493cb0b2020-11-24T23:54:52ZengUniversidade Federal de Santa CatarinaEsboços1414-722X2175-79762009-04-01152015516810.5007/2175-7976.2008v15n20p1558927The palette and the brush under the founding myth constructionSusana Bleil de Souza0Universidade Federal do Rio Grande do SulThe objective of this paper is to examine how part of the intellectual and political Uruguayan elites was concerned about the orientalization of the Uruguayan National State and undertook the consolidation the national conscience through intellectual and artistic works. Though each art has its own language, Juan Manuel Blanes strived to express through painting the unrest of his time: to paint a nation in construction. Blanes created pictoric symbols of the nationality and invented an iconographic past. He quested for the genesis of the Uruguayan nationalism in the independence fights against Brasil and constructed the frame for the national imagery, the symbolic subsidy for the idea of a nation that the thoughtful elite strived to build up.https://periodicos.ufsc.br/index.php/esbocos/article/view/10247NaçãoImagemIdentidadeMitoJuan Manuel BlanesUruguai
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Susana Bleil de Souza
spellingShingle	Susana Bleil de Souza The palette and the brush under the founding myth construction Esboços Nação Imagem Identidade Mito Juan Manuel Blanes Uruguai
author_facet	Susana Bleil de Souza
author_sort	Susana Bleil de Souza
title	The palette and the brush under the founding myth construction
title_short	The palette and the brush under the founding myth construction
title_full	The palette and the brush under the founding myth construction
title_fullStr	The palette and the brush under the founding myth construction
title_full_unstemmed	The palette and the brush under the founding myth construction
title_sort	palette and the brush under the founding myth construction
publisher	Universidade Federal de Santa Catarina
series	Esboços
issn	1414-722X 2175-7976
publishDate	2009-04-01
description	The objective of this paper is to examine how part of the intellectual and political Uruguayan elites was concerned about the orientalization of the Uruguayan National State and undertook the consolidation the national conscience through intellectual and artistic works. Though each art has its own language, Juan Manuel Blanes strived to express through painting the unrest of his time: to paint a nation in construction. Blanes created pictoric symbols of the nationality and invented an iconographic past. He quested for the genesis of the Uruguayan nationalism in the independence fights against Brasil and constructed the frame for the national imagery, the symbolic subsidy for the idea of a nation that the thoughtful elite strived to build up.
topic	Nação Imagem Identidade Mito Juan Manuel Blanes Uruguai
url	https://periodicos.ufsc.br/index.php/esbocos/article/view/10247
work_keys_str_mv	AT susanableildesouza thepaletteandthebrushunderthefoundingmythconstruction AT susanableildesouza paletteandthebrushunderthefoundingmythconstruction
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The palette and the brush under the founding myth construction

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