O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica

O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica

This article presents a reflection about bergsonian theory of laughter, seeking analyze implications of his approach with scenic practice. Therefore, had centered in the Henri Bergson’s theory of “mechanical encrusted on the living” in an attempt to use it as triggering for scenic and comic proposit...

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Main Author: Henrique Bezerra de Souza
Format: Article
Language:Portuguese
Published: Universidade Federal de Goiás 2016-12-01
Series:Arte da Cena
Subjects:
laugther; actor;mechanical
Online Access:https://www.revistas.ufg.br/artce/article/view/43409/22471
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spelling doaj-b75527eda20e4fbab25d4931f403f90f2021-03-31T19:35:55ZporUniversidade Federal de GoiásArte da Cena2358-60602016-12-0123118O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática CênicaHenrique Bezerra de Souza0Universidade do Estado de Santa Catarina (UDESC), Florianópolis, Santa Catarina, Brasil.This article presents a reflection about bergsonian theory of laughter, seeking analyze implications of his approach with scenic practice. Therefore, had centered in the Henri Bergson’s theory of “mechanical encrusted on the living” in an attempt to use it as triggering for scenic and comic proposition and a way for actor’s work. Finally, confronting such approaches with the studies of theatrical researchers, points to some restrictions that Bergson’s thought about laughter presents when angled in the scenic practice.https://www.revistas.ufg.br/artce/article/view/43409/22471laugther; actor;mechanical
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Henrique Bezerra de Souza
spellingShingle Henrique Bezerra de Souza
O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica
Arte da Cena
laugther; actor;mechanical
author_facet Henrique Bezerra de Souza
author_sort Henrique Bezerra de Souza
title O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica
title_short O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica
title_full O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica
title_fullStr O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica
title_full_unstemmed O Ator na Cena Cômica: Aproximações Entre a Teoria Bergsoniana do Riso e a Prática Cênica
title_sort o ator na cena cômica: aproximações entre a teoria bergsoniana do riso e a prática cênica
publisher Universidade Federal de Goiás
series Arte da Cena
issn 2358-6060
publishDate 2016-12-01
description This article presents a reflection about bergsonian theory of laughter, seeking analyze implications of his approach with scenic practice. Therefore, had centered in the Henri Bergson’s theory of “mechanical encrusted on the living” in an attempt to use it as triggering for scenic and comic proposition and a way for actor’s work. Finally, confronting such approaches with the studies of theatrical researchers, points to some restrictions that Bergson’s thought about laughter presents when angled in the scenic practice.
topic laugther; actor;mechanical
url https://www.revistas.ufg.br/artce/article/view/43409/22471
work_keys_str_mv AT henriquebezerradesouza oatornacenacomicaaproximacoesentreateoriabergsonianadorisoeapraticacenica
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