For an autonomous existence of images: an archaeological perspective

Monitoring and interpreting an increasing number of images has become part of people’s daily lives. These images trigger a complex process of relations that can result in direct human or non-human actions over people, over services or over the very space. As part of a broader and widespread mediasc...

Full description

Bibliographic Details
Main Author: José Cláudio S. Castanheira
Format: Article
Language:Portuguese
Published: Universidade Federal de Juiz de Fora 2020-04-01
Series:Lumina
Subjects:
AI
Online Access:https://periodicos.ufjf.br/index.php/lumina/article/view/30111
id doaj-b75246ef40dd49e489830afd1684b74a
record_format Article
spelling doaj-b75246ef40dd49e489830afd1684b74a2021-08-20T20:50:01ZporUniversidade Federal de Juiz de ForaLumina1516-07851981-40702020-04-0114110.34019/1981-4070.2020.v14.30111For an autonomous existence of images: an archaeological perspective José Cláudio S. Castanheira0Universidade Federal de Santa Catarina Monitoring and interpreting an increasing number of images has become part of people’s daily lives. These images trigger a complex process of relations that can result in direct human or non-human actions over people, over services or over the very space. As part of a broader and widespread mediascape, the repertoire of images, its organization and connection to multiple devices and huge databases, make interpretation processes much more complex and beyond our reach. When arranged in a network, technical devices do not need to follow a logic narrative of facts. Paradoxically, they contribute to the construction of all possible narratives. This work proposes, from an archaeological perspective, that the intentionality of images, especially those that are produced and circulate in digital environment, is the symptom of a contemporary episteme that delegates to objects not just a functional autonomy, but also one of existence and of description of the world. The multiplicity of digital images makes of them Beings that exist beyond the human and that constitute a kind of continuous phenomenological machinic process, an awareness of the self and of the other. https://periodicos.ufjf.br/index.php/lumina/article/view/30111digital imagesdatabasesmedia archaeologyphenomenologyAI
collection DOAJ
language Portuguese
format Article
sources DOAJ
author José Cláudio S. Castanheira
spellingShingle José Cláudio S. Castanheira
For an autonomous existence of images: an archaeological perspective
Lumina
digital images
databases
media archaeology
phenomenology
AI
author_facet José Cláudio S. Castanheira
author_sort José Cláudio S. Castanheira
title For an autonomous existence of images: an archaeological perspective
title_short For an autonomous existence of images: an archaeological perspective
title_full For an autonomous existence of images: an archaeological perspective
title_fullStr For an autonomous existence of images: an archaeological perspective
title_full_unstemmed For an autonomous existence of images: an archaeological perspective
title_sort for an autonomous existence of images: an archaeological perspective
publisher Universidade Federal de Juiz de Fora
series Lumina
issn 1516-0785
1981-4070
publishDate 2020-04-01
description Monitoring and interpreting an increasing number of images has become part of people’s daily lives. These images trigger a complex process of relations that can result in direct human or non-human actions over people, over services or over the very space. As part of a broader and widespread mediascape, the repertoire of images, its organization and connection to multiple devices and huge databases, make interpretation processes much more complex and beyond our reach. When arranged in a network, technical devices do not need to follow a logic narrative of facts. Paradoxically, they contribute to the construction of all possible narratives. This work proposes, from an archaeological perspective, that the intentionality of images, especially those that are produced and circulate in digital environment, is the symptom of a contemporary episteme that delegates to objects not just a functional autonomy, but also one of existence and of description of the world. The multiplicity of digital images makes of them Beings that exist beyond the human and that constitute a kind of continuous phenomenological machinic process, an awareness of the self and of the other.
topic digital images
databases
media archaeology
phenomenology
AI
url https://periodicos.ufjf.br/index.php/lumina/article/view/30111
work_keys_str_mv AT joseclaudioscastanheira foranautonomousexistenceofimagesanarchaeologicalperspective
_version_ 1721200885916237824