For an autonomous existence of images: an archaeological perspective
Monitoring and interpreting an increasing number of images has become part of people’s daily lives. These images trigger a complex process of relations that can result in direct human or non-human actions over people, over services or over the very space. As part of a broader and widespread mediasc...
Main Author: | |
---|---|
Format: | Article |
Language: | Portuguese |
Published: |
Universidade Federal de Juiz de Fora
2020-04-01
|
Series: | Lumina |
Subjects: | |
Online Access: | https://periodicos.ufjf.br/index.php/lumina/article/view/30111 |
id |
doaj-b75246ef40dd49e489830afd1684b74a |
---|---|
record_format |
Article |
spelling |
doaj-b75246ef40dd49e489830afd1684b74a2021-08-20T20:50:01ZporUniversidade Federal de Juiz de ForaLumina1516-07851981-40702020-04-0114110.34019/1981-4070.2020.v14.30111For an autonomous existence of images: an archaeological perspective José Cláudio S. Castanheira0Universidade Federal de Santa Catarina Monitoring and interpreting an increasing number of images has become part of people’s daily lives. These images trigger a complex process of relations that can result in direct human or non-human actions over people, over services or over the very space. As part of a broader and widespread mediascape, the repertoire of images, its organization and connection to multiple devices and huge databases, make interpretation processes much more complex and beyond our reach. When arranged in a network, technical devices do not need to follow a logic narrative of facts. Paradoxically, they contribute to the construction of all possible narratives. This work proposes, from an archaeological perspective, that the intentionality of images, especially those that are produced and circulate in digital environment, is the symptom of a contemporary episteme that delegates to objects not just a functional autonomy, but also one of existence and of description of the world. The multiplicity of digital images makes of them Beings that exist beyond the human and that constitute a kind of continuous phenomenological machinic process, an awareness of the self and of the other. https://periodicos.ufjf.br/index.php/lumina/article/view/30111digital imagesdatabasesmedia archaeologyphenomenologyAI |
collection |
DOAJ |
language |
Portuguese |
format |
Article |
sources |
DOAJ |
author |
José Cláudio S. Castanheira |
spellingShingle |
José Cláudio S. Castanheira For an autonomous existence of images: an archaeological perspective Lumina digital images databases media archaeology phenomenology AI |
author_facet |
José Cláudio S. Castanheira |
author_sort |
José Cláudio S. Castanheira |
title |
For an autonomous existence of images: an archaeological perspective |
title_short |
For an autonomous existence of images: an archaeological perspective |
title_full |
For an autonomous existence of images: an archaeological perspective |
title_fullStr |
For an autonomous existence of images: an archaeological perspective |
title_full_unstemmed |
For an autonomous existence of images: an archaeological perspective |
title_sort |
for an autonomous existence of images: an archaeological perspective |
publisher |
Universidade Federal de Juiz de Fora |
series |
Lumina |
issn |
1516-0785 1981-4070 |
publishDate |
2020-04-01 |
description |
Monitoring and interpreting an increasing number of images has become part of people’s daily lives. These images trigger a complex process of relations that can result in direct human or non-human actions over people, over services or over the very space. As part of a broader and widespread mediascape, the repertoire of images, its organization and connection to multiple devices and huge databases, make interpretation processes much more complex and beyond our reach. When arranged in a network, technical devices do not need to follow a logic narrative of facts. Paradoxically, they contribute to the construction of all possible narratives. This work proposes, from an archaeological perspective, that the intentionality of images, especially those that are produced and circulate in digital environment, is the symptom of a contemporary episteme that delegates to objects not just a functional autonomy, but also one of existence and of description of the world. The multiplicity of digital images makes of them Beings that exist beyond the human and that constitute a kind of continuous phenomenological machinic process, an awareness of the self and of the other.
|
topic |
digital images databases media archaeology phenomenology AI |
url |
https://periodicos.ufjf.br/index.php/lumina/article/view/30111 |
work_keys_str_mv |
AT joseclaudioscastanheira foranautonomousexistenceofimagesanarchaeologicalperspective |
_version_ |
1721200885916237824 |