The key found

<p><span style="font-size: medium;"><span style="font-family: Times New Roman;"><em>Poetycka antropologia Julii Hartwig </em>[Julia Hartwig’s poetic anthropology] written by Marcin Terlecki is a book that fills the yawning gap in our literary underst...

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Main Author: Agata Stankowka
Format: Article
Language:Polish
Published: Wydawnictwo Poznańskie Studia Polonistyczne WFPiK UAM; Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk 2010-01-01
Series:Poznańskie Studia Polonistyczne. Seria Literacka
Subjects:
Online Access:http://pressto.amu.edu.pl/index.php/pspsl/article/view/2223
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spelling doaj-b71e3e2f8ec347c3aac417bf3db9c6572020-11-24T23:22:42ZpolWydawnictwo Poznańskie Studia Polonistyczne WFPiK UAM; Wydawnictwo Poznańskiego Towarzystwa Przyjaciół NaukPoznańskie Studia Polonistyczne. Seria Literacka1233-86802450-49472010-01-0101719120110.14746/pspsl:2010.17.122196The key foundAgata Stankowka<p><span style="font-size: medium;"><span style="font-family: Times New Roman;"><em>Poetycka antropologia Julii Hartwig </em>[Julia Hartwig’s poetic anthropology] written by Marcin Terlecki is a book that fills the yawning gap in our literary understanding of the twentieth century Polish poetry and constitutes the first attempt at a comprehensive and detailed presentation of the lyrical works by J. Hartwig. The modern collection in which the work appears allow M. Terlecki to reveal the poetess’ fundamental insights dominating and underlying her world outlook and epistemological views. This, in turn, puts him in a position to give an explanation to the logic embedded in the evolution under scrutiny. M. Terlecki convincingly supports his own argument concerning J. Hartwig’s poetic reception of the world proving the thesis that its fundamentals are deeply rooted in the anthropological perspective. Terlecki differentiates the latter into three basic categories. First, there is “strangeness/alienation”, which results in the need for self-definition (determination of one’s nature and basic qualities). Then, “identity”, whose reflection turns out to be not only what is different in its external shape, but also what is different inside — within the plane of one’s own culture, biography and personality. And, finally, “empathy”, born out of questions on a feasibility of contact with what is different, alien and absent. The three categories, connected by the logic of anthropological vision, are presented as basic and fundamental for the subsequent stages in Hartwig’s poetical output. At the same time, they reveal themselves as </span></span><span style="font-family: Times New Roman; font-size: medium;">axes of anthropological reading material provided by the author — for the discussed book is the author’s own research project on “poetic anthropology”.</span></p>http://pressto.amu.edu.pl/index.php/pspsl/article/view/2223poetic anthropologyJulia Hartwigstrangeness/alienationidentityempathy
collection DOAJ
language Polish
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sources DOAJ
author Agata Stankowka
spellingShingle Agata Stankowka
The key found
Poznańskie Studia Polonistyczne. Seria Literacka
poetic anthropology
Julia Hartwig
strangeness/alienation
identity
empathy
author_facet Agata Stankowka
author_sort Agata Stankowka
title The key found
title_short The key found
title_full The key found
title_fullStr The key found
title_full_unstemmed The key found
title_sort key found
publisher Wydawnictwo Poznańskie Studia Polonistyczne WFPiK UAM; Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk
series Poznańskie Studia Polonistyczne. Seria Literacka
issn 1233-8680
2450-4947
publishDate 2010-01-01
description <p><span style="font-size: medium;"><span style="font-family: Times New Roman;"><em>Poetycka antropologia Julii Hartwig </em>[Julia Hartwig’s poetic anthropology] written by Marcin Terlecki is a book that fills the yawning gap in our literary understanding of the twentieth century Polish poetry and constitutes the first attempt at a comprehensive and detailed presentation of the lyrical works by J. Hartwig. The modern collection in which the work appears allow M. Terlecki to reveal the poetess’ fundamental insights dominating and underlying her world outlook and epistemological views. This, in turn, puts him in a position to give an explanation to the logic embedded in the evolution under scrutiny. M. Terlecki convincingly supports his own argument concerning J. Hartwig’s poetic reception of the world proving the thesis that its fundamentals are deeply rooted in the anthropological perspective. Terlecki differentiates the latter into three basic categories. First, there is “strangeness/alienation”, which results in the need for self-definition (determination of one’s nature and basic qualities). Then, “identity”, whose reflection turns out to be not only what is different in its external shape, but also what is different inside — within the plane of one’s own culture, biography and personality. And, finally, “empathy”, born out of questions on a feasibility of contact with what is different, alien and absent. The three categories, connected by the logic of anthropological vision, are presented as basic and fundamental for the subsequent stages in Hartwig’s poetical output. At the same time, they reveal themselves as </span></span><span style="font-family: Times New Roman; font-size: medium;">axes of anthropological reading material provided by the author — for the discussed book is the author’s own research project on “poetic anthropology”.</span></p>
topic poetic anthropology
Julia Hartwig
strangeness/alienation
identity
empathy
url http://pressto.amu.edu.pl/index.php/pspsl/article/view/2223
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