Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical

Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical

Being forbidden in 1732 to actually stage his biblical dramas, Handel had to think in terms of musical stategy so as to animate these otherwise oddly still dramatic perfomances. Relying on echoes and quotations, he ‘recycled’ some of his contemporaries’ works, and also some of his own, and thus used...

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Bibliographic Details
Main Author: Joël Richard
Format: Article
Language:English
Published: Centre de Recherche et d'Etudes en Civilisation Britannique 2006-01-01
Series:Revue Française de Civilisation Britannique
Online Access:http://journals.openedition.org/rfcb/1631
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spelling doaj-b65ff385187a487e975ec1397a7a83cc2020-11-24T23:56:40ZengCentre de Recherche et d'Etudes en Civilisation BritanniqueRevue Française de Civilisation Britannique0248-90152429-43732006-01-0113410.4000/rfcb.1631Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musicalJoël RichardBeing forbidden in 1732 to actually stage his biblical dramas, Handel had to think in terms of musical stategy so as to animate these otherwise oddly still dramatic perfomances. Relying on echoes and quotations, he ‘recycled’ some of his contemporaries’ works, and also some of his own, and thus used an often highly political musical material in order to provide his biblical oratorios with both a dramatic and ideological density which truly turned them into a nation’s music.http://journals.openedition.org/rfcb/1631
collection DOAJ
language English
format Article
sources DOAJ
author Joël Richard
spellingShingle Joël Richard
Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical
Revue Française de Civilisation Britannique
author_facet Joël Richard
author_sort Joël Richard
title Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical
title_short Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical
title_full Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical
title_fullStr Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical
title_full_unstemmed Les oratorios anglais de Haendel : petite typologie dramatique du hors-champ musical
title_sort les oratorios anglais de haendel : petite typologie dramatique du hors-champ musical
publisher Centre de Recherche et d'Etudes en Civilisation Britannique
series Revue Française de Civilisation Britannique
issn 0248-9015
2429-4373
publishDate 2006-01-01
description Being forbidden in 1732 to actually stage his biblical dramas, Handel had to think in terms of musical stategy so as to animate these otherwise oddly still dramatic perfomances. Relying on echoes and quotations, he ‘recycled’ some of his contemporaries’ works, and also some of his own, and thus used an often highly political musical material in order to provide his biblical oratorios with both a dramatic and ideological density which truly turned them into a nation’s music.
url http://journals.openedition.org/rfcb/1631
work_keys_str_mv AT joelrichard lesoratoriosanglaisdehaendelpetitetypologiedramatiqueduhorschampmusical
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