Multispectral imaging system using 12 interference filters for mapping pigments

Multispectral imaging systems are used in art examination in order to map pigments and binders as well as retouches. This work presents a simple system composed of a monochromatic CCD camera and a set of only 12 interference filters characterized by different bandwidths and spacing throughout the co...

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Main Author: Antonino Cosentino
Format: Article
Language:English
Published: Associação Profissional de Conservadores - Restauradores de Portugal 2015-01-01
Series:Conservar Património
Subjects:
Online Access:https://doi.org/10.14568/cp2015005
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spelling doaj-b54967beca284884ac4310065c02d7a32020-11-24T22:43:19ZengAssociação Profissional de Conservadores - Restauradores de PortugalConservar Património1646-043X2182-99422015-01-0121253810.14568/cp20150052015005Multispectral imaging system using 12 interference filters for mapping pigmentsAntonino Cosentino0Cultural Heritage Science Open Source, Piazza Cantarella 11, Aci Sant'Antonio, 95025, ItalyMultispectral imaging systems are used in art examination in order to map pigments and binders as well as retouches. This work presents a simple system composed of a monochromatic CCD camera and a set of only 12 interference filters characterized by different bandwidths and spacing throughout the covered electromagnetic spectrum (400-805 nm). The reasoning supporting the selection of these specific filters is discussed, as well as the results obtained on a collection of 54 historical pigments and on a series of 18th century frescoes in Sicily. Generally, the filters set for similar systems are chosen equally spaced across the recorded spectrum. For this study the centre wavelength and the bandwidth of these filters have been chosen accordingly to the spectral features of historical pigments. This system allows only for a qualitative reconstruction of pigments reflectance spectra. It must be considered a valuable tool for segmenting the images of polychrome artworks and to identify areas of interest for further analytical examinations if more conclusive results are necessary.https://doi.org/10.14568/cp2015005Reflectance spectroscopySpectral reflectanceMultispectral imagingPigments identificationArt conservation
collection DOAJ
language English
format Article
sources DOAJ
author Antonino Cosentino
spellingShingle Antonino Cosentino
Multispectral imaging system using 12 interference filters for mapping pigments
Conservar Património
Reflectance spectroscopy
Spectral reflectance
Multispectral imaging
Pigments identification
Art conservation
author_facet Antonino Cosentino
author_sort Antonino Cosentino
title Multispectral imaging system using 12 interference filters for mapping pigments
title_short Multispectral imaging system using 12 interference filters for mapping pigments
title_full Multispectral imaging system using 12 interference filters for mapping pigments
title_fullStr Multispectral imaging system using 12 interference filters for mapping pigments
title_full_unstemmed Multispectral imaging system using 12 interference filters for mapping pigments
title_sort multispectral imaging system using 12 interference filters for mapping pigments
publisher Associação Profissional de Conservadores - Restauradores de Portugal
series Conservar Património
issn 1646-043X
2182-9942
publishDate 2015-01-01
description Multispectral imaging systems are used in art examination in order to map pigments and binders as well as retouches. This work presents a simple system composed of a monochromatic CCD camera and a set of only 12 interference filters characterized by different bandwidths and spacing throughout the covered electromagnetic spectrum (400-805 nm). The reasoning supporting the selection of these specific filters is discussed, as well as the results obtained on a collection of 54 historical pigments and on a series of 18th century frescoes in Sicily. Generally, the filters set for similar systems are chosen equally spaced across the recorded spectrum. For this study the centre wavelength and the bandwidth of these filters have been chosen accordingly to the spectral features of historical pigments. This system allows only for a qualitative reconstruction of pigments reflectance spectra. It must be considered a valuable tool for segmenting the images of polychrome artworks and to identify areas of interest for further analytical examinations if more conclusive results are necessary.
topic Reflectance spectroscopy
Spectral reflectance
Multispectral imaging
Pigments identification
Art conservation
url https://doi.org/10.14568/cp2015005
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