Per un teatro trans (-disciplinare e -culturale)

This article is devoted at first to a book which collects the proceedings of an important Italian symposium concerning the theurapetic implementation of theatre protocols, and then to the Batsheva Dance Company. The ensemble leaded by Ohad Naharin is presented as a combination of singular biographie...

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Main Author: Antonio Attisani
Format: Article
Language:English
Published: Accademia University Press 2017-07-01
Series:Mimesis Journal
Online Access:http://journals.openedition.org/mimesis/1211
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spelling doaj-b50e08e211e9470baa03e5151c4f4ac52020-11-25T00:05:33ZengAccademia University PressMimesis Journal2279-72032017-07-016112315610.4000/mimesis.1211Per un teatro trans (-disciplinare e -culturale)Antonio AttisaniThis article is devoted at first to a book which collects the proceedings of an important Italian symposium concerning the theurapetic implementation of theatre protocols, and then to the Batsheva Dance Company. The ensemble leaded by Ohad Naharin is presented as a combination of singular biographies, and the analysis of its genuine theatre is proposed side by side with Embodied Philosophy in Dance, the essay by Einav Katan that among others inaugurate a new theatrology.http://journals.openedition.org/mimesis/1211
collection DOAJ
language English
format Article
sources DOAJ
author Antonio Attisani
spellingShingle Antonio Attisani
Per un teatro trans (-disciplinare e -culturale)
Mimesis Journal
author_facet Antonio Attisani
author_sort Antonio Attisani
title Per un teatro trans (-disciplinare e -culturale)
title_short Per un teatro trans (-disciplinare e -culturale)
title_full Per un teatro trans (-disciplinare e -culturale)
title_fullStr Per un teatro trans (-disciplinare e -culturale)
title_full_unstemmed Per un teatro trans (-disciplinare e -culturale)
title_sort per un teatro trans (-disciplinare e -culturale)
publisher Accademia University Press
series Mimesis Journal
issn 2279-7203
publishDate 2017-07-01
description This article is devoted at first to a book which collects the proceedings of an important Italian symposium concerning the theurapetic implementation of theatre protocols, and then to the Batsheva Dance Company. The ensemble leaded by Ohad Naharin is presented as a combination of singular biographies, and the analysis of its genuine theatre is proposed side by side with Embodied Philosophy in Dance, the essay by Einav Katan that among others inaugurate a new theatrology.
url http://journals.openedition.org/mimesis/1211
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