The Pandorga and the Law: past-present-future

Going through the different times provoked by the theatre play The Pandorga and the Law (1983-1984), by João das Neves, this article intends to think the relations between memory and crisis in contemporary Brazil, starting from the concept of duration and its ramifications, inaugurated by Henri Berg...

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Main Author: Joana D'Arc Fernandes Ferraz
Format: Article
Language:Portuguese
Published: Universidade do Estado do Rio de Janeiro 2018-01-01
Series:Revista Maracanan
Subjects:
Online Access:https://www.e-publicacoes.uerj.br/index.php/maracanan/article/view/31248
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spelling doaj-b50b2d4b349d4245b914ede643097fb32020-11-25T01:32:14ZporUniversidade do Estado do Rio de JaneiroRevista Maracanan1807-989X2359-00922018-01-0101813415610.12957/maracanan.2018.3124818310The Pandorga and the Law: past-present-futureJoana D'Arc Fernandes Ferraz0Universidade Federal Fluminense (UFF)Going through the different times provoked by the theatre play The Pandorga and the Law (1983-1984), by João das Neves, this article intends to think the relations between memory and crisis in contemporary Brazil, starting from the concept of duration and its ramifications, inaugurated by Henri Bergson. This play was read for the first time in the 1st Seminary of the Grupo Tortura Nunca Mais - RJ (GTNM-RJ), held on October 28, 29, 30, 31 and November 1, 1985, at Cândido Mendes University. This Seminar formalized the foundation of the GTNM-RJ. Our reflections are based on the Brazilian business-military dictatorship. The duration time is multiple and qualitative more than a linear chronological and quantitative time. Which past, present and future incessantly interact, raising problems, reviving wounds, scars and opening gaps. Beyond the borders of time to look at the horrors of the past, to understand what remains of past in the present, and to consider what it can beckon us to the future, imposes itself as a challenge to the understanding of the contemporary Brazilian panorama.https://www.e-publicacoes.uerj.br/index.php/maracanan/article/view/31248Ditadura Empresarial-militar BrasileiraCriseMemóriaDuraçãoTeatro
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Joana D'Arc Fernandes Ferraz
spellingShingle Joana D'Arc Fernandes Ferraz
The Pandorga and the Law: past-present-future
Revista Maracanan
Ditadura Empresarial-militar Brasileira
Crise
Memória
Duração
Teatro
author_facet Joana D'Arc Fernandes Ferraz
author_sort Joana D'Arc Fernandes Ferraz
title The Pandorga and the Law: past-present-future
title_short The Pandorga and the Law: past-present-future
title_full The Pandorga and the Law: past-present-future
title_fullStr The Pandorga and the Law: past-present-future
title_full_unstemmed The Pandorga and the Law: past-present-future
title_sort pandorga and the law: past-present-future
publisher Universidade do Estado do Rio de Janeiro
series Revista Maracanan
issn 1807-989X
2359-0092
publishDate 2018-01-01
description Going through the different times provoked by the theatre play The Pandorga and the Law (1983-1984), by João das Neves, this article intends to think the relations between memory and crisis in contemporary Brazil, starting from the concept of duration and its ramifications, inaugurated by Henri Bergson. This play was read for the first time in the 1st Seminary of the Grupo Tortura Nunca Mais - RJ (GTNM-RJ), held on October 28, 29, 30, 31 and November 1, 1985, at Cândido Mendes University. This Seminar formalized the foundation of the GTNM-RJ. Our reflections are based on the Brazilian business-military dictatorship. The duration time is multiple and qualitative more than a linear chronological and quantitative time. Which past, present and future incessantly interact, raising problems, reviving wounds, scars and opening gaps. Beyond the borders of time to look at the horrors of the past, to understand what remains of past in the present, and to consider what it can beckon us to the future, imposes itself as a challenge to the understanding of the contemporary Brazilian panorama.
topic Ditadura Empresarial-militar Brasileira
Crise
Memória
Duração
Teatro
url https://www.e-publicacoes.uerj.br/index.php/maracanan/article/view/31248
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