​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURE

The initial paper under the same title was read at the International conference Composer and his Environment (Композитор и његово окружење) organized by the Musicological Institute of SASA held in Belgrade in November 9-11, 2006. The text was dedicated to the Serbs as foreign music composition stude...

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Main Author: Nadežda Mosusova
Format: Article
Language:English
Published: Belgrade Center for Music and Dance 2021-02-01
Series:Accelerando: BJMD
Subjects:
Online Access:https://accelerandobjmd.weebly.com/issue6/foreign-studies-of-the-serbian-composers
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spelling doaj-b44a122807d14d4d94ef3510e8fef1412021-03-15T11:30:06ZengBelgrade Center for Music and DanceAccelerando: BJMD2466-39132466-39132021-02-0166​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURENadežda Mosusova0Musicological institute SANU (Serbian Academy of Sciences and Arts), Belgrade (Serbia)The initial paper under the same title was read at the International conference Composer and his Environment (Композитор и његово окружење) organized by the Musicological Institute of SASA held in Belgrade in November 9-11, 2006. The text was dedicated to the Serbs as foreign music composition students, focused on their studies at Moscow, Prague, “The European Conservatory”, and also taking into account Vienna Conservatory. The Serbian composition students who were studied at the various European universities can be divided into two groups. The first one is embracing the individuals born in the XIX century, who were concentrated, mostly romantically, on the idea of national style based on the local folk music heredity. The second group covers the later, younger generation of students who were born after 1900 and were primarily educated at Prague Conservatory, interested mainly in New Viennese School and avantgarde achievements of composers in Czech lands. In this paper the author is focused on the first group, referring to it as a whole. This present paper is also refreshed with some actual facts and new bibliography.https://accelerandobjmd.weebly.com/issue6/foreign-studies-of-the-serbian-composerseuropean interwar periodserbian composersnational styleczech musicians
collection DOAJ
language English
format Article
sources DOAJ
author Nadežda Mosusova
spellingShingle Nadežda Mosusova
​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURE
Accelerando: BJMD
european interwar period
serbian composers
national style
czech musicians
author_facet Nadežda Mosusova
author_sort Nadežda Mosusova
title ​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURE
title_short ​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURE
title_full ​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURE
title_fullStr ​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURE
title_full_unstemmed ​FOREIGN STUDIES OF THE SERBIAN COMPOSERS CRUCIAL IN FORMING NATIONAL MUSIC CULTURE
title_sort ​foreign studies of the serbian composers crucial in forming national music culture
publisher Belgrade Center for Music and Dance
series Accelerando: BJMD
issn 2466-3913
2466-3913
publishDate 2021-02-01
description The initial paper under the same title was read at the International conference Composer and his Environment (Композитор и његово окружење) organized by the Musicological Institute of SASA held in Belgrade in November 9-11, 2006. The text was dedicated to the Serbs as foreign music composition students, focused on their studies at Moscow, Prague, “The European Conservatory”, and also taking into account Vienna Conservatory. The Serbian composition students who were studied at the various European universities can be divided into two groups. The first one is embracing the individuals born in the XIX century, who were concentrated, mostly romantically, on the idea of national style based on the local folk music heredity. The second group covers the later, younger generation of students who were born after 1900 and were primarily educated at Prague Conservatory, interested mainly in New Viennese School and avantgarde achievements of composers in Czech lands. In this paper the author is focused on the first group, referring to it as a whole. This present paper is also refreshed with some actual facts and new bibliography.
topic european interwar period
serbian composers
national style
czech musicians
url https://accelerandobjmd.weebly.com/issue6/foreign-studies-of-the-serbian-composers
work_keys_str_mv AT nadezdamosusova foreignstudiesoftheserbiancomposerscrucialinformingnationalmusicculture
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