Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italiana

In recent years, the global diffusion of crowdsourcing and crowdfunding has influenced widely Italian broadcasters and media industries. During the last TV seasons, various projects have been developed, trying to collect (textual, video, economic) audience contributions and to organize them into pro...

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Main Author: Luca Barra
Format: Article
Language:English
Published: University of Bologna 2013-11-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/7362
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spelling doaj-b41dc0e0a2114ed4a6bb8e660b9815db2020-11-25T02:17:16ZengUniversity of BolognaCinergie2280-94812013-11-0124475310.6092/issn.2280-9481/73626580Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italianaLuca Barra0Università di BolognaIn recent years, the global diffusion of crowdsourcing and crowdfunding has influenced widely Italian broadcasters and media industries. During the last TV seasons, various projects have been developed, trying to collect (textual, video, economic) audience contributions and to organize them into programs and schedules. However, such strategies have often been flawed by some weaknesses, for structural reasons as well as a consequence of web logics partially misunderstood by mainstream media. The essay traces ways, goals and reasons of the “partial adoption” of these techniques by Italian television, focusing in particular on three different case histories: the One Million Eyes, Baby video experiment during the traditional music concert of 1st May, 2013; Italia 2 channel’s crowdsourcing platform (16mm) and various programs across the schedule; anchor Michele Santoro’s pledge for viewers’ subscriptions for his political talk show Servizio Pubblico. In recent years, the global diffusion of crowdsourcing and crowdfunding has influenced widely Italian broadcasters and media industries. During the last TV seasons, various projects have been developed, trying to collect (textual, video, economic) audience contributions and to organize them into programs and schedules. However, such strategies have often been flawed by some weaknesses, for structural reasons as well as a consequence of web logics partially misunderstood by mainstream media. The essay traces ways, goals and reasons of the “partial adoption” of these techniques by Italian television, focusing in particular on three different case histories: the One Million Eyes, Baby video experiment during the traditional music concert of 1st May, 2013; Italia 2 channel’s crowdsourcing platform (16mm) and various programs across the schedule; anchor Michele Santoro’s pledge for viewers’ subscriptions for his political talk show Servizio Pubblico.https://cinergie.unibo.it/article/view/7362crowdsourcingcrowdfundingitalian tv
collection DOAJ
language English
format Article
sources DOAJ
author Luca Barra
spellingShingle Luca Barra
Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italiana
Cinergie
crowdsourcing
crowdfunding
italian tv
author_facet Luca Barra
author_sort Luca Barra
title Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italiana
title_short Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italiana
title_full Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italiana
title_fullStr Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italiana
title_full_unstemmed Folle del piccolo schermo. Crowdsourcing e crowdfunding sulla televisione italiana
title_sort folle del piccolo schermo. crowdsourcing e crowdfunding sulla televisione italiana
publisher University of Bologna
series Cinergie
issn 2280-9481
publishDate 2013-11-01
description In recent years, the global diffusion of crowdsourcing and crowdfunding has influenced widely Italian broadcasters and media industries. During the last TV seasons, various projects have been developed, trying to collect (textual, video, economic) audience contributions and to organize them into programs and schedules. However, such strategies have often been flawed by some weaknesses, for structural reasons as well as a consequence of web logics partially misunderstood by mainstream media. The essay traces ways, goals and reasons of the “partial adoption” of these techniques by Italian television, focusing in particular on three different case histories: the One Million Eyes, Baby video experiment during the traditional music concert of 1st May, 2013; Italia 2 channel’s crowdsourcing platform (16mm) and various programs across the schedule; anchor Michele Santoro’s pledge for viewers’ subscriptions for his political talk show Servizio Pubblico. In recent years, the global diffusion of crowdsourcing and crowdfunding has influenced widely Italian broadcasters and media industries. During the last TV seasons, various projects have been developed, trying to collect (textual, video, economic) audience contributions and to organize them into programs and schedules. However, such strategies have often been flawed by some weaknesses, for structural reasons as well as a consequence of web logics partially misunderstood by mainstream media. The essay traces ways, goals and reasons of the “partial adoption” of these techniques by Italian television, focusing in particular on three different case histories: the One Million Eyes, Baby video experiment during the traditional music concert of 1st May, 2013; Italia 2 channel’s crowdsourcing platform (16mm) and various programs across the schedule; anchor Michele Santoro’s pledge for viewers’ subscriptions for his political talk show Servizio Pubblico.
topic crowdsourcing
crowdfunding
italian tv
url https://cinergie.unibo.it/article/view/7362
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