Exhibitions in Print

Raking Leaves was founded in 2008 in the UK as an independent, non-profit organisation with an aim to publish artist books, with an emphasis on the geopolitical and cultural contexts of South Asia. With a focus on exploring the collaborative potential of artistic practice, of thinking beyond the “ar...

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Main Authors: Sharmini Pereira, Sneha Ragavan
Format: Article
Language:English
Published: Yale University 2019-09-01
Series:British Art Studies
Online Access:http://britishartstudies.ac.uk/issues/issue-index/issue-13/exhibitions-in-print
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spelling doaj-b3ed172704354d728ffb1ac58f0b881d2020-11-25T03:14:03ZengYale UniversityBritish Art Studies2058-54622019-09-011310.17658/issn.2058-5462/issue-13/pereira-ragavanExhibitions in PrintSharmini Pereira0Sneha Ragavan1The Sri Lanka Archive of Contemporary Art, Architecture, and DesignAsia Art Archive in IndiaRaking Leaves was founded in 2008 in the UK as an independent, non-profit organisation with an aim to publish artist books, with an emphasis on the geopolitical and cultural contexts of South Asia. With a focus on exploring the collaborative potential of artistic practice, of thinking beyond the “art object”, Raking Leaves has consistently pushed the boundaries of how objects and ideas are disseminated, viewed, and engaged with. Some of its publications include, The One Year Drawing Project: May 2005–October 2007 by Muhanned Cader et al. (2008); Pearls by Simryn Gill (2008); Name, Class, Subject by Aisha Khalid (2010); Side by Side by Imran Qureshi (2010); The Incomplete Thombu by T. Shanaathanan (2012); The Speech Writer by Bani Abidi (2012); and the recently published The A–Z of Conflict (2019). The founder and director of Raking Leaves, Sharmini Pereira looks back at her engagement with the artist book as a form, the conditions and contexts of the founding of Raking Leaves in the UK, and its relationship with contemporary cultural and political ecologies, in the following interview with Sneha Ragavan.http://britishartstudies.ac.uk/issues/issue-index/issue-13/exhibitions-in-print
collection DOAJ
language English
format Article
sources DOAJ
author Sharmini Pereira
Sneha Ragavan
spellingShingle Sharmini Pereira
Sneha Ragavan
Exhibitions in Print
British Art Studies
author_facet Sharmini Pereira
Sneha Ragavan
author_sort Sharmini Pereira
title Exhibitions in Print
title_short Exhibitions in Print
title_full Exhibitions in Print
title_fullStr Exhibitions in Print
title_full_unstemmed Exhibitions in Print
title_sort exhibitions in print
publisher Yale University
series British Art Studies
issn 2058-5462
publishDate 2019-09-01
description Raking Leaves was founded in 2008 in the UK as an independent, non-profit organisation with an aim to publish artist books, with an emphasis on the geopolitical and cultural contexts of South Asia. With a focus on exploring the collaborative potential of artistic practice, of thinking beyond the “art object”, Raking Leaves has consistently pushed the boundaries of how objects and ideas are disseminated, viewed, and engaged with. Some of its publications include, The One Year Drawing Project: May 2005–October 2007 by Muhanned Cader et al. (2008); Pearls by Simryn Gill (2008); Name, Class, Subject by Aisha Khalid (2010); Side by Side by Imran Qureshi (2010); The Incomplete Thombu by T. Shanaathanan (2012); The Speech Writer by Bani Abidi (2012); and the recently published The A–Z of Conflict (2019). The founder and director of Raking Leaves, Sharmini Pereira looks back at her engagement with the artist book as a form, the conditions and contexts of the founding of Raking Leaves in the UK, and its relationship with contemporary cultural and political ecologies, in the following interview with Sneha Ragavan.
url http://britishartstudies.ac.uk/issues/issue-index/issue-13/exhibitions-in-print
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AT sneharagavan exhibitionsinprint
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