“Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción

Several theories on the Postmodernity have denied the absolute speeches that were establishing the Occidental Civilization. This way, the same History and his its traditional relation with novel is being questioned and there arise voices that claim the possibilities of the fiction to speak about the...

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Main Author: Luis María Romeu Guallart
Format: Article
Language:Spanish
Published: University of Bologna 2010-05-01
Series:Confluenze
Subjects:
Online Access:http://confluenze.unibo.it/article/view/1864
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spelling doaj-b36828e48fb74b8ebb16333e893a805b2020-11-24T21:25:56ZspaUniversity of BolognaConfluenze2036-09672010-05-012116518410.6092/issn.2036-0967/18641773“Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficciónLuis María Romeu Guallart0Università di BolognaSeveral theories on the Postmodernity have denied the absolute speeches that were establishing the Occidental Civilization. This way, the same History and his its traditional relation with novel is being questioned and there arise voices that claim the possibilities of the fiction to speak about the reality. Already, they will not do this from the veracity of the historical information but from the "ethics"; it is the Postmodern Realism. El comprador de aniversarios de Adolfo García Ortega takes part of these poetics recovering the real and literary figure of Hurbinek, a child murdered in Auschvitz, to whom he plays at creating futures -anniversaries- as a way of social and historical denunciation. The novel presents this way a particular and postmodern use of the classic metaficción, antagonist of the mímesis, cornerstone of the traditional realism.http://confluenze.unibo.it/article/view/1864PosmodernityrealismfictionHistorymetafictionShoah
collection DOAJ
language Spanish
format Article
sources DOAJ
author Luis María Romeu Guallart
spellingShingle Luis María Romeu Guallart
“Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción
Confluenze
Posmodernity
realism
fiction
History
metafiction
Shoah
author_facet Luis María Romeu Guallart
author_sort Luis María Romeu Guallart
title “Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción
title_short “Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción
title_full “Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción
title_fullStr “Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción
title_full_unstemmed “Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción
title_sort “yo iba a auschwitz pero ya no”. el comprador de aniversarios de adolfo garcía ortega y las posibilidades de acercarnos a la historia desde la (meta)ficción
publisher University of Bologna
series Confluenze
issn 2036-0967
publishDate 2010-05-01
description Several theories on the Postmodernity have denied the absolute speeches that were establishing the Occidental Civilization. This way, the same History and his its traditional relation with novel is being questioned and there arise voices that claim the possibilities of the fiction to speak about the reality. Already, they will not do this from the veracity of the historical information but from the "ethics"; it is the Postmodern Realism. El comprador de aniversarios de Adolfo García Ortega takes part of these poetics recovering the real and literary figure of Hurbinek, a child murdered in Auschvitz, to whom he plays at creating futures -anniversaries- as a way of social and historical denunciation. The novel presents this way a particular and postmodern use of the classic metaficción, antagonist of the mímesis, cornerstone of the traditional realism.
topic Posmodernity
realism
fiction
History
metafiction
Shoah
url http://confluenze.unibo.it/article/view/1864
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