Magical Realism in Ahmad Sa'dawiy's Frankenstein fi Bagdad

This article discusses the use of magic realism as a literary device in the Iraqi novel Frankenstein fī Bagdād written by Aḥmad Sa‘dāwiy. The novel is set in the period of inter-ethnic conflict which arose after the American invasion of 2003. Hādī, the main character of the novel, ‘creates a monster...

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Main Author: Mahmudah Mahmudah
Format: Article
Language:English
Published: Universitas Gadjah Mada 2016-11-01
Series:Humaniora
Subjects:
Online Access:https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/16397
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spelling doaj-b318ce21fa6b4cf099e014ae20e05f892020-11-24T22:53:43ZengUniversitas Gadjah MadaHumaniora0852-08012302-92692016-11-0128214215110.22146/jh.v28i2.1639711396Magical Realism in Ahmad Sa'dawiy's Frankenstein fi BagdadMahmudah Mahmudah0Universitas Gadjah MadaThis article discusses the use of magic realism as a literary device in the Iraqi novel Frankenstein fī Bagdād written by Aḥmad Sa‘dāwiy. The novel is set in the period of inter-ethnic conflict which arose after the American invasion of 2003. Hādī, the main character of the novel, ‘creates a monster’ namely Syismah from the corpses of the many bomb victims in Baghdad. The writer combines setting of the novel with belief of the Iraq people, horoscope practice, and magic, in mystical and illogical atmosphere. Given its magic realist qualities, the analysis draws on the approach of Wendy B. Faris. The article identifies five key elements from magic realism present in the novel, and discusses the relationship between these elements in order to better understand the social, ideological, and political context of the novel. The analysis shows that there are relationships between two worlds: death and life, human and ghost, physical and metaphysical, natural and supernatural.https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/16397Aḥmad Sa‘dāwiy, Frankenstein fī Bagdād, Iraq, magical realism
collection DOAJ
language English
format Article
sources DOAJ
author Mahmudah Mahmudah
spellingShingle Mahmudah Mahmudah
Magical Realism in Ahmad Sa'dawiy's Frankenstein fi Bagdad
Humaniora
Aḥmad Sa‘dāwiy, Frankenstein fī Bagdād, Iraq, magical realism
author_facet Mahmudah Mahmudah
author_sort Mahmudah Mahmudah
title Magical Realism in Ahmad Sa'dawiy's Frankenstein fi Bagdad
title_short Magical Realism in Ahmad Sa'dawiy's Frankenstein fi Bagdad
title_full Magical Realism in Ahmad Sa'dawiy's Frankenstein fi Bagdad
title_fullStr Magical Realism in Ahmad Sa'dawiy's Frankenstein fi Bagdad
title_full_unstemmed Magical Realism in Ahmad Sa'dawiy's Frankenstein fi Bagdad
title_sort magical realism in ahmad sa'dawiy's frankenstein fi bagdad
publisher Universitas Gadjah Mada
series Humaniora
issn 0852-0801
2302-9269
publishDate 2016-11-01
description This article discusses the use of magic realism as a literary device in the Iraqi novel Frankenstein fī Bagdād written by Aḥmad Sa‘dāwiy. The novel is set in the period of inter-ethnic conflict which arose after the American invasion of 2003. Hādī, the main character of the novel, ‘creates a monster’ namely Syismah from the corpses of the many bomb victims in Baghdad. The writer combines setting of the novel with belief of the Iraq people, horoscope practice, and magic, in mystical and illogical atmosphere. Given its magic realist qualities, the analysis draws on the approach of Wendy B. Faris. The article identifies five key elements from magic realism present in the novel, and discusses the relationship between these elements in order to better understand the social, ideological, and political context of the novel. The analysis shows that there are relationships between two worlds: death and life, human and ghost, physical and metaphysical, natural and supernatural.
topic Aḥmad Sa‘dāwiy, Frankenstein fī Bagdād, Iraq, magical realism
url https://jurnal.ugm.ac.id/jurnal-humaniora/article/view/16397
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