The history of the American image: confluences and heterochronies in the aesthetic and cultural project of José Lezama Lima
In this paper we analyze the concept of image as a condenser of multiple, heterogeneous temporalities exposed on the notion of “eras imaginarias” forged by the Cuban writer Jose Lezama Lima. Lezama sees that category within a conceptual device that involves an epistemological break with the fundamen...
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| Format: | Article |
| Language: | Spanish |
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Universidad Nacional de Mar del Plata
2016-03-01
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| Series: | Estudios de Teoría Literaria |
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| Online Access: | http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1226 |
| Summary: | In this paper we analyze the concept of image as a condenser of multiple, heterogeneous temporalities exposed on the notion of “eras imaginarias” forged by the Cuban writer Jose Lezama Lima. Lezama sees that category within a conceptual device that involves an epistemological break with the fundamentals of Hegelian historicism: application to organize serial and progressively all the historical events. The linchpin of Lezama proposal from which it becomes possible to establish a new causality will be the counterpoint technique. |
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| ISSN: | 2313-9676 |