THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY

THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY

The paper describes the history of the formation of the ideas about the camp prose in the scientific literature. The definition of this concept and its characteristics are presentes, based on the study of three creative works of various writers: «The resurrection of the larch» by V. T. Shalamov, «Zo...

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Bibliographic Details
Main Author: I. S. Starikova
Format: Article
Language:English
Published: Kemerovo State University 2015-06-01
Series:Вестник Кемеровского государственного университета
Subjects:
camp prose, «new prose», reflection, metatext, varlam shalamov, sergey dovlatov, vladimir maimov
Online Access:https://vestnik.kemsu.ru/jour/article/view/1822
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spelling doaj-b2aeb95cf4724c278ec271df7501c1f02020-11-24T21:45:13ZengKemerovo State UniversityВестник Кемеровского государственного университета2078-89752078-89832015-06-0102-41691741830THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITYI. S. Starikova0Kemerovo State UniversityThe paper describes the history of the formation of the ideas about the camp prose in the scientific literature. The definition of this concept and its characteristics are presentes, based on the study of three creative works of various writers: «The resurrection of the larch» by V. T. Shalamov, «Zone» by S. D. Dovlatov, «The nomadism to death» by V. E. Maksimov. The camp prose is a thematic direction in the Russian literature during the late 1950s – 1990s XX creating an artistic image of the camp in a creative reflection of writers (witnesses, observers, those who never saw camps but studied the archives, memoirs), with the following features: common themes and issues related to existential camp environment; autobiographical character; documentary; historicism; artistic expression of the image of the camp; special space (isolation, island, hell); special human psychology, philosophical understanding of the human situation in captivity; special author’s reflection on the text.https://vestnik.kemsu.ru/jour/article/view/1822camp prose, «new prose», reflection, metatext, varlam shalamov, sergey dovlatov, vladimir maimov
collection DOAJ
language English
format Article
sources DOAJ
author I. S. Starikova
spellingShingle I. S. Starikova
THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY
Вестник Кемеровского государственного университета
camp prose, «new prose», reflection, metatext, varlam shalamov, sergey dovlatov, vladimir maimov
author_facet I. S. Starikova
author_sort I. S. Starikova
title THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY
title_short THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY
title_full THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY
title_fullStr THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY
title_full_unstemmed THE “CAMP PROSE” IN THE CONTEXT OF THE RUSSIAN LITERATURE OF THE 20TH CENTURY: CONCEPT, FRAMEWORK, SPECIFICITY
title_sort “camp prose” in the context of the russian literature of the 20th century: concept, framework, specificity
publisher Kemerovo State University
series Вестник Кемеровского государственного университета
issn 2078-8975
2078-8983
publishDate 2015-06-01
description The paper describes the history of the formation of the ideas about the camp prose in the scientific literature. The definition of this concept and its characteristics are presentes, based on the study of three creative works of various writers: «The resurrection of the larch» by V. T. Shalamov, «Zone» by S. D. Dovlatov, «The nomadism to death» by V. E. Maksimov. The camp prose is a thematic direction in the Russian literature during the late 1950s – 1990s XX creating an artistic image of the camp in a creative reflection of writers (witnesses, observers, those who never saw camps but studied the archives, memoirs), with the following features: common themes and issues related to existential camp environment; autobiographical character; documentary; historicism; artistic expression of the image of the camp; special space (isolation, island, hell); special human psychology, philosophical understanding of the human situation in captivity; special author’s reflection on the text.
topic camp prose, «new prose», reflection, metatext, varlam shalamov, sergey dovlatov, vladimir maimov
url https://vestnik.kemsu.ru/jour/article/view/1822
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