Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identity

This study introduces Joseph Brahim Seid, one of Africa’s intellectuals of the first generation of independence, in relation to the ideologisation of his contemporaneous counterparts, to Léopold Sédar Senghor’s négritude and Kwame Nkrumah’s consciencism. Two stories from J. B. Seid’s 1962 collectio...

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Main Author: Karen Haire
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2018-02-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/4441
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spelling doaj-b280cb0114fc453bbc144554d78cb6a32020-11-25T03:35:26ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702018-02-01452Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identityKaren Haire0University of Johannesburg, Johannesburg This study introduces Joseph Brahim Seid, one of Africa’s intellectuals of the first generation of independence, in relation to the ideologisation of his contemporaneous counterparts, to Léopold Sédar Senghor’s négritude and Kwame Nkrumah’s consciencism. Two stories from J. B. Seid’s 1962 collection, Au Tchad sous les Etoiles (translated as Told By Starlight in Chad, 2007) are read as envisioning nation and a new multicultural Chadian identity at the moment of independence. Unpacking literary strains of négritude and consciencism lays bare neglected and overlooked tensions that thwart reconciliation of the different segments of Chadian society: African/tradition–Arab/Islam–Western/Christianity. One story envisions modernisation in the reconciliation between Africa and the West, but in real life modernisaton does not occur within the context of African communalism as the story has it, but in the neo-colonial context, where it benefits the few, and mostly international stakeholders. Possibly with the intent of building nation, Seid tends to harmonize African-Arab cultures and traditional-Islamic religions, neglecting the tyranny of Islamisation and Arabisation in the past. In the present, as we know, rivalry between Arab and African populations in the Chad region has resurfaced. Superimposing Biblical motifs and understating traditional African beliefs and religious practices in a story that tends to reconcile Christianity, Islam and the traditional society, Seid overlooks the colonial context in which “civilising” Christianity is implicated, especially the distaste it engendered towards the traditional society and religions. Double-standards result from the higher prestige attaching to Islam, associated with literacy, and Christianity, associated with modernisation, thus African societies have yielded to the perceived progress imperative. While J. B. Seid’s stories elevate the traditional societal value of communalism, portrayed with positive affect, in real life it has not transformed itself into a socialism sufficient to build nation and promote the multiculturalism envisioned and desired. https://journals.assaf.org.za/index.php/tvl/article/view/4441négritudeconsciencismJoseph Brahim SeidChadian identity
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Karen Haire
spellingShingle Karen Haire
Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identity
Tydskrif vir Letterkunde
négritude
consciencism
Joseph Brahim Seid
Chadian identity
author_facet Karen Haire
author_sort Karen Haire
title Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identity
title_short Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identity
title_full Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identity
title_fullStr Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identity
title_full_unstemmed Literary strains of négritude and consciencism in Joseph Brahim Seid: Envisioning nation and a new multicultural Chadian identity
title_sort literary strains of négritude and consciencism in joseph brahim seid: envisioning nation and a new multicultural chadian identity
publisher Tydskrif vir Letterkunde Association
series Tydskrif vir Letterkunde
issn 0041-476X
2309-9070
publishDate 2018-02-01
description This study introduces Joseph Brahim Seid, one of Africa’s intellectuals of the first generation of independence, in relation to the ideologisation of his contemporaneous counterparts, to Léopold Sédar Senghor’s négritude and Kwame Nkrumah’s consciencism. Two stories from J. B. Seid’s 1962 collection, Au Tchad sous les Etoiles (translated as Told By Starlight in Chad, 2007) are read as envisioning nation and a new multicultural Chadian identity at the moment of independence. Unpacking literary strains of négritude and consciencism lays bare neglected and overlooked tensions that thwart reconciliation of the different segments of Chadian society: African/tradition–Arab/Islam–Western/Christianity. One story envisions modernisation in the reconciliation between Africa and the West, but in real life modernisaton does not occur within the context of African communalism as the story has it, but in the neo-colonial context, where it benefits the few, and mostly international stakeholders. Possibly with the intent of building nation, Seid tends to harmonize African-Arab cultures and traditional-Islamic religions, neglecting the tyranny of Islamisation and Arabisation in the past. In the present, as we know, rivalry between Arab and African populations in the Chad region has resurfaced. Superimposing Biblical motifs and understating traditional African beliefs and religious practices in a story that tends to reconcile Christianity, Islam and the traditional society, Seid overlooks the colonial context in which “civilising” Christianity is implicated, especially the distaste it engendered towards the traditional society and religions. Double-standards result from the higher prestige attaching to Islam, associated with literacy, and Christianity, associated with modernisation, thus African societies have yielded to the perceived progress imperative. While J. B. Seid’s stories elevate the traditional societal value of communalism, portrayed with positive affect, in real life it has not transformed itself into a socialism sufficient to build nation and promote the multiculturalism envisioned and desired.
topic négritude
consciencism
Joseph Brahim Seid
Chadian identity
url https://journals.assaf.org.za/index.php/tvl/article/view/4441
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