Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu

Alas a la palabra (2008) is a book of memoirs that speaks to the cultural and personal experiences of the hñähñu (or otomí) author Adela Calva Reyes, born in the community of San Ildefonso in the state of Hidalgo, Mexico. The text offers the author’s memories interwoven with those narrated by her fa...

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Bibliographic Details
Main Author: Milvet Alonso
Format: Article
Language:English
Published: Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2019-07-01
Series:iMex. México Interdisciplinario/Interdisciplinary Mexico
Subjects:
Online Access:https://www.imex-revista.com/xvi-convergencia-voces-hnahnu/
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spelling doaj-b266c8528c614649bd43be225b69eaa32020-11-25T01:24:45ZengProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido RingsiMex. México Interdisciplinario/Interdisciplinary Mexico2193-97562019-07-0181612514110.23692/iMex.16.9Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu Milvet Alonso0University of GeorgiaAlas a la palabra (2008) is a book of memoirs that speaks to the cultural and personal experiences of the hñähñu (or otomí) author Adela Calva Reyes, born in the community of San Ildefonso in the state of Hidalgo, Mexico. The text offers the author’s memories interwoven with those narrated by her family. The memories present traditions, beliefs and events in the community that are also intertwined with the hñähñu worldview. Furthermore, some of the family stories denounce the pervasive scarcity and gender violence. The voices that converge in the discourse belong to departed ones, figures that are either dead or banished from the town. Based on the works of Jacques Derrida and Avery Gordon, this article analyzes the text from a spectrality perspective in order to examine these ghostly voices’ presence as a form of denounce and as a social figure that unveils a colonial system, which is still haunting postcolonial nations. https://www.imex-revista.com/xvi-convergencia-voces-hnahnu/Spectralityindigenous cultureshñähñucolonizationMexico
collection DOAJ
language English
format Article
sources DOAJ
author Milvet Alonso
spellingShingle Milvet Alonso
Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu
iMex. México Interdisciplinario/Interdisciplinary Mexico
Spectrality
indigenous cultures
hñähñu
colonization
Mexico
author_facet Milvet Alonso
author_sort Milvet Alonso
title Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu
title_short Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu
title_full Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu
title_fullStr Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu
title_full_unstemmed Presencias espectrales en Alas a la palabra de Adela Calva Reyes: convergencia de voces en una mujer hñähñu
title_sort presencias espectrales en alas a la palabra de adela calva reyes: convergencia de voces en una mujer hñähñu
publisher Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
series iMex. México Interdisciplinario/Interdisciplinary Mexico
issn 2193-9756
publishDate 2019-07-01
description Alas a la palabra (2008) is a book of memoirs that speaks to the cultural and personal experiences of the hñähñu (or otomí) author Adela Calva Reyes, born in the community of San Ildefonso in the state of Hidalgo, Mexico. The text offers the author’s memories interwoven with those narrated by her family. The memories present traditions, beliefs and events in the community that are also intertwined with the hñähñu worldview. Furthermore, some of the family stories denounce the pervasive scarcity and gender violence. The voices that converge in the discourse belong to departed ones, figures that are either dead or banished from the town. Based on the works of Jacques Derrida and Avery Gordon, this article analyzes the text from a spectrality perspective in order to examine these ghostly voices’ presence as a form of denounce and as a social figure that unveils a colonial system, which is still haunting postcolonial nations.
topic Spectrality
indigenous cultures
hñähñu
colonization
Mexico
url https://www.imex-revista.com/xvi-convergencia-voces-hnahnu/
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