The Machine as Artist: An Introduction
With the understanding that art and technology are continuing to experience an historic and rapidly intensifying rapprochement—but with the understanding as well that accounts thereof have tended to be constrained by scientific/engineering rigor on the one hand, or have tended to swing to the opposi...
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2017-04-01
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Online Access: | http://www.mdpi.com/2076-0752/6/2/5 |
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doaj-b233267d0b7c4afda718ec89ddd6ee522020-11-24T22:36:27ZengMDPI AGArts2076-07522017-04-0162510.3390/arts6020005arts6020005The Machine as Artist: An IntroductionGlenn W. Smith0Frederic Fol Leymarie1Space Machines Corporation, 3443 Esplanade Ave., Suite 438, New Orleans, LA 70119, USADepartment of Computing, Goldsmiths College, University of London, London, UKWith the understanding that art and technology are continuing to experience an historic and rapidly intensifying rapprochement—but with the understanding as well that accounts thereof have tended to be constrained by scientific/engineering rigor on the one hand, or have tended to swing to the opposite extreme—it is the goal of this special issue of Arts to provide an opportunity for artists, humanists, scientists, and engineers to consider this development from the broader perspective which it deserves, while at the same time retaining a focus on what must surely be the emerging core of our subject: the state of the art in mechatronics and computation is such that we can now begin to speak comfortably of the machine as artist—and we can begin to hope, as well, that an aesthetic sensitivity on the part of the machine might help lead to a friendlier and more sensitive machine intelligence in general.http://www.mdpi.com/2076-0752/6/2/5artsciencetechnologyartificial intelligenceaestheticsempathyembodiment |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Glenn W. Smith Frederic Fol Leymarie |
spellingShingle |
Glenn W. Smith Frederic Fol Leymarie The Machine as Artist: An Introduction Arts art science technology artificial intelligence aesthetics empathy embodiment |
author_facet |
Glenn W. Smith Frederic Fol Leymarie |
author_sort |
Glenn W. Smith |
title |
The Machine as Artist: An Introduction |
title_short |
The Machine as Artist: An Introduction |
title_full |
The Machine as Artist: An Introduction |
title_fullStr |
The Machine as Artist: An Introduction |
title_full_unstemmed |
The Machine as Artist: An Introduction |
title_sort |
machine as artist: an introduction |
publisher |
MDPI AG |
series |
Arts |
issn |
2076-0752 |
publishDate |
2017-04-01 |
description |
With the understanding that art and technology are continuing to experience an historic and rapidly intensifying rapprochement—but with the understanding as well that accounts thereof have tended to be constrained by scientific/engineering rigor on the one hand, or have tended to swing to the opposite extreme—it is the goal of this special issue of Arts to provide an opportunity for artists, humanists, scientists, and engineers to consider this development from the broader perspective which it deserves, while at the same time retaining a focus on what must surely be the emerging core of our subject: the state of the art in mechatronics and computation is such that we can now begin to speak comfortably of the machine as artist—and we can begin to hope, as well, that an aesthetic sensitivity on the part of the machine might help lead to a friendlier and more sensitive machine intelligence in general. |
topic |
art science technology artificial intelligence aesthetics empathy embodiment |
url |
http://www.mdpi.com/2076-0752/6/2/5 |
work_keys_str_mv |
AT glennwsmith themachineasartistanintroduction AT fredericfolleymarie themachineasartistanintroduction AT glennwsmith machineasartistanintroduction AT fredericfolleymarie machineasartistanintroduction |
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